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Re: Squarepusher's breakbeat rig...



Well, I'll be darned, there it is, right at the bottom of that article:

SQUAREPUSHER GEAR
Akai S6000 sampler
DBX 1066 compressor (2)
Eventide Orville Harmonizer (2)
Rackmount PC with various virtual-synthesis software programs

Thanks for the tipoff, Doug.  S6000s seem to be going relatively cheap on
Ebay.  All the top level folks are upgrading to the Z4 and Z8.  Last I
heard, Amon Tobin was using the S6000, too.

-J

P.S.  That knobby box below the patch bay in the picture I linked to in my
previous mail is one of the DBX 1066s.





----- Original Message -----
From: "doug @ jump/cut" <looper@jumpcut.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, March 09, 2003 10:35 PM
Subject: Re: Squarepushers breakbeat rig


> >From an article in ReMix (January 2002):
> Squarepusher's composing methods are just as rugged. "I go into a trance
> state when I am programming," he says. "I don't use [Emagic] Logic Audio
> Platinum. I hate computer editing, and I hate computer sequencing. The
music
> I am into comes from using multitrack tape recorders and dubbing for
> composition. Once you've edited on tape, computer editing is a piece of
> shit. It is so much more of a vibe to cut up tape and line things up 
>using
> your ears, not your eyes. Now I make the composition from start to finish
> instead of making a track and editing it afterwards."
>
> Jenkinson relies on some primitive sequencing, as well. "I do all
step-time
> writing," he says. "I have a Yamaha sequencer, and you can edit the music
in
> tracklists and put it all in numbers. The whole day my head is juggling
> numbers - it is this strange numerical mission. It's like being a psychic
or
> a mathematician. It is not just about knowing about equipment and
> mathematics; it is knowing how to intuit things, to see the way things
> should go."
>
> http://remixmag.com/ar/remix_warp_records_brave/