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----- Original Message ----- From: "Krispen Hartung" <info@krispenhartung.com> To: <Loopers-Delight@loopers-delight.com> Sent: Monday, September 20, 2004 9:23 PM Subject: RE: Using Jazz Standards to Get Into a Venue for Looping > Nice! The brushes sound very natural. Thanks, that's the Erskine 3/4 brush loop being very substantially sped up by the tap tempo function on the RC-20, and it doesn't sound all weird like almost everything ELSE does when you speed it up with the tap tempo function on the RC-20... > What sort of guitar are using? That's just the solidbody Ibanez Artist AR-250 shown on the page with the Copeland hex pickup. I played that one all with my thumb, which probably contributes to the "Wes-ness" quite a bit. The "Fenderizer" pedal makes it sound bright like a Fender amp. The Copeland Pickup is very bright sounding anyway, and also has a lot less sustain than a regular pickup (much smaller magnets and coils), so that's probably also making it sound more like a jazz-box. > It sounds very hollow. I better get off my butt this week and make a few > sample clips. I'm just doing guitar comping and then heads and solos > for now...that's more natural for me, sort of like the Jim Hall/Pat > Metheny duo sound. > > Kris Cool, I look forward to hearing them. I have a rehearsal and a gig later in the week, but I hope I'll have time to make a few more recordings. Mark Smart http://www.marksmart.net/