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Re: Psychedelic Jew's Harp: J. M. Nasim



I play as well and I have to say that a lot of what I hear on this is  
the sound of the instrument.  There's a huge variety of types of 'harps  
out there.  I think that it's a brilliant marriage of technique and  
technology - something (I think) to which we all aspire.  I'm gonna get  
me some!

Regards to all,

Ben




On 20 Oct, 2004, at 7:17 PM, Piers Gibbon wrote:

> I'm a Jew's Harpist...I have enjoyed this guys music a lot and  
> wondered how he did it
>
> perhaps Kantos by Antares?
>
> Best
>
> Piers
> --
> ==================================================================
> Piers Gibbon
> ------------------------------------------------------------------
> http://www.piersgibbon.com  |  piers@piersgibbon.com
> ==================================================================
>
> On Oct 20, 2004, at 8:57 pm, Alan Kroeger wrote:
>
>> Hmm, maybe but at the same time a lot of what he is doing is humming  
>> while
>> strumming and some processing. Some effects sound like something an
>> Adrenalinn II could do (I should have kept mine :'(  ) no real looping
>> device or at least no analog sequencer sounds pretty creative either  
>> way. is
>> Bob the thumb piano guy still around let's see what he thinks.
>>
>> -----Original Message-----
>> From: Travis Hartnett [mailto:tiktok@sprintmail.com]
>> Sent: Wednesday, October 20, 2004 3:22 PM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Psychedelic Jew's Harp: J. M. Nasim
>>
>> I think he's looping, despite his somewhat opaque musical description  
>> (sound
>> samples on his "Listen" page):
>>
>> http://www.thepsychedelicjewsharp.com/about.html
>>
>> "I create this music live. No multi-tracking, no playback of  
>> pre-recorded
>> material, no sampling. The raw signal of voice and Jew's Harp feeds  
>> into a
>> portable bank of automated processors. Here, various programmatic,
>> architectonic sound spaces frame rhythmic zones within which certain
>> acoustic potentialities reside. These sonic holograms manifest my  
>> musical
>> explorations as shape-shifted sound. Seminal acoustics are gestated  
>> into new
>> aural forms to birth multi- dimensional soundscapes of  
>> interpenetrating
>> pulses and harmonics."
>>
>> TravisH
>>
>>
>> *-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-*
>>
>> The Official Travis Hartnett Website:
>> http://www.travishartnett.com
>>
>> *-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-* *-*-*-*-*
>>
>
>



------------------------------------------------------------------------ 
-----------------------
Ben Grossman
ben@macrophone.org
http://www.macrophone.org
http://www.posttraditional.ca