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RE: Looking for online collaborators from LP (for avant-garde/experimental duoproject)



Kris - i'd love to do something on this, if you'll have me!

sim


www.simeonharris.co.uk

>From: "Hartung, Kris" <kris.hartung@hp.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Looking for online collaborators from LP (for 
>avant-garde/experimental duo project)
>Date: Wed, 8 Jun 2005 22:41:15 -0600
>
>Hello Folks -
>
>Ah, what the hell...let's see if this flies or goes over like a cast
>iron blimp. A boy has got to dream....
>
>I'd like to test the idea of an online musical recording collaboration
>and ultimately produce a low-budget CD of duo works. This would be
>titled "Xperimentus: Krispen Hartung & Friends", me and a number of
>other players.  The genre would be avant-garde/experimental, and involve
>looping of course. I would be looking for LP members whose strength is
>in soloing, rather than laying down chordal soundscapes, textures, etc
>(I consider percussion a solo instrument as well).  Soundcapes and
>foundational textures are good, but just a foundation for more complex
>single note "conversations" and "dialogues". This is just my preference
>as artistic director of the project.
>
>Composition/Performance Parameters
>
>The primary parameters of the project, non-exhaustive, of course:
>
>*      All pieces will be non-metered (no time signature) and free
>flowing or with just a rhythmic pulse
>*      All pieces will have some degree of melodic/solo work, either by
>itself or over the top of textures and soundscapes (hence the request
>for players whose forte is soloing)
>*      All pieces will have no key / they will be predominantly
>non-diatonic....general tonal centers are fine, but with a significant
>degree of "outside" playing, tension and release, etc - this is
>essentially Free project
>*      Other parameters are negotiable
>
>Main point, I'm not shooting for pretty  or lofty tunes that have
>popular appeal, but more of a dark, abstract, or obscure feel.  Two
>examples, not meant to be a strict model are:
>
>Tiny Monsters Ex Nihilo:
>http://www.savefile.com/filehost/projects3.php?fid=9594603&pid=830188
>Artificial Reprise:
>http://www.soundclick.com/util/downloadSong.cfm?ID=2485638
>
>I may even start the CDs with these tunes....not sure.
>
>Collaboration Approach
>
>Because I can't "play with" someone online, the collaboration will have
>to be reactive rather than interactive.  I want to keep the approach
>fairly loose and open to negotiation, but here are a few sketchy
>approaches for starters:
>
>APPROACH A
>
>1. Musician A lays down his track for the entire song in such a way that
>it leaves room for a second part
>  - Could be just a basic soundscape, textures, sound effects, etc
>  - Could be purely melodic work with breathing points for response from
>player B (to allow call and response)
>2. Musician B lays down his track over Musician A's track
>3. Either Musician A or B, or both, could lay additional tracks down
>
>APPROACH B
>
>1. Musician A lays down a section of a song
>2. Musician B lays down another section of the song in sequence
>(directly following the first section)
>3. Repeat 1. and 2.
>4. Either Musician A or B, or both, could lay additional tracks down
>
>These are just general guiding principles...really anything goes.  If we
>both want to play chaotic parts that overlay each other with no planned
>interaction, this is fine...radical, but fine. The basic file exchange
>approach is that the track would be recorded to wav or aif format and
>posted to SaveFile.com. Each contributor would use whatever software
>they use to lay their track over that wav file, and then re-post (CD
>quality, 16 bit, as close to 0db as possible). I'll master everything in
>ProTools, add final touch enhancements, etc.
>
>CD Design/Credits/Financial Details
>
>*      I'll handle all the CD mastering, artwork layout and design (any
>input welcome, of course)
>*      I'll pay for the production of the CD using Shortrun Music, plus
>pay to put it on CD Baby, get a barcode, setup, pay for digital
>distribution, etc ($55 total)
>*      Everyone will get credit for their playing on the CD
>*      I will make no net profit on the CD; once we agree on a CD
>price, I'll pay the cost of the CD first, and the remaining profit will
>be divided up based on the percentage one plays on the CD; for instance,
>if the CD costs $5 to make, sells for $15, is 80 minutes long, and your
>total playing time is 10 minutes, then your profit would be 12.5% of
>$10, or $1.25 (US).  I'll pay everyone via PayPal.
>
>In short, I'm doing most of the production work and not doing this for
>money, but for my own artistic gratification and desire to play with
>others.  I'm not in any rush to get this complete either....whatever
>time it takes is fine with me, especially since I have another solo CD
>coming out in September. If it takes a year, then I'm fine with that.
>
>I think 5 contributors, not including myself would be ideal, but it all
>depends on the number and length of the songs. 5 min tunes are probably
>a good standard.
>
>Anyone interested?  Listen to the two samples above, and if this is
>something you think fits your style, then send me an email along with
>some samples of your music.  Once I have a handful of interested
>parties, I'll select those for the CD, and the rest I'll post as a
>digital CD, and perhaps use for a part II CD.
>
>Or just tell me that I'm off my rocker.
>
>Kris
>
>
>