Re: Looping back to Krispen's old critics thread (was sorta: using laptops for music"

["Kris Hartung" <khartung@cableone.net>]

Ah yes, the tone in between a 3rd and flatted 3rd interval, I'm guessing 
you
mean. Folks with so-called perfect pitch love that one!

Of course, my most favorite dyad of all is the root and the minor second
interval. Or could be regarded as the root and flatted 9th interval in jazz
theory, where they don't give a hoot about octaves half of the time...gives
you those really hip and tight tone clusters that sound relatively abstract
but are merely altered dominant chords....the beauty of playing the piano 
or
having extremely long fingers as a guitar player, I suppose.

Kris

----- Original Message ----- 
From: "Kelly Coyle" <kellycoyle@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, October 27, 2005 12:40 PM
Subject: Re: Looping back to Krispen's old critics thread (was sorta: using
laptops for music"


> The second is the new third...
>
>
> On Oct 27, 2005, at 1:33 PM, Kris Hartung wrote:
>
> > the flatted fifth interval was
> > specifically referred to as the devil's interval. Now it is the
> > cornerstone
> > interival of blues and jazz, along with the "blue note."
>
>