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Max/Msp as a compositional tool....



This posting from ba newmuse, posted by Bob Boster, describes the group,
TrioMetrik's use of max/msp programming to guide their compositions, and
seems like a great illustration of just how deeply one can get in the
program. The posting is a call for works, if anyone's interested, but goes
on to outline TrioMetrik's methodology in their bio below. -miko

>The BEAM Foundation is commisioning 2-4 new works for TrioMetrik.
>Composers should submit a CV and work examples by June 15, 2006. Scope of
>the piece and fee structure will be tailored to each applicant based upon
>experience and proclivities. Selections will be announced July 7. Pieces
>due end of August.
>
>Compatibility with TrioMetrik's tools and esthetics is a must. To this end
>two Colloquia are scheduled to familiarize composers with these
requirements:
>
>May 23rd 7 PM at BEAM Studios in Berkeley. (mail for directions)
>May 24th 5 PM at CCRMA - Stanford Campus
>
>Examples of previous musical works from a recent performance and
>descriptions of the techolgies employed are available at
><http://www.beamfoundation.org/>www.beamfoundation.org . Abstract of talk
>follows:
>
>MACIAS -a new software application that intelligently couples advanced
>instruments.<?xml:namespace prefix = o ns =
>"urn:schemas-microsoft-com:office:office" />
>
>Based on the concept of enhanced instruments coupled through an
>intelligent network, MACIAS is the sophisticated integration of live
>instruments that are extended beyond their original function with an
>advanced music program and interface system. MACIAS is a specialized
>network that receives, interprets, and operates on the sounds, notes,
>gestures, and intentions of the musicians.  The result is an interactive
>musical esthetic for the 21st century (named "NuRoque") that encourages
>complex structures and sonic adventure. NuRoque takes its inspiration from
>the Baroque (Fr. for bizarre) revolution that new instruments and
>esthetics caused in Europe in the 1600s.  TrioMetrik (Ashley Adams,
>Marielle Jakobsons, and Keith McMillen) is the live performing group using
>these technologies. Paul Dresher has called TrioMetrik "the modern
>composer's dream come true."   Samples can be heard at
><http://www.triometrik.org/>www.triometrik.org .
>
>Keith McMillen describes MACIAS as a system in which "knowledge and
>control is distributed among the musicians and guided by the
>composition.  Direction to the performers is conveyed through an array of
>graphic windows on a display that replaces the traditional score and music
>stand. The musician's gestures, the score, audio processing, and other
>structures are permitted to interact with each other in ways that lead to
>modifications in performance.  The result is a system designed to augment
>and control the compositional structure beyond notes and transitions.
>While these concepts have been explored individually, MACIAS represents
>the first time a refined and integrated approach has been evenly and fully
>applied across all of the components that comprise a musical entity." It
>has taken the last 25 years for Keith to build the enhanced instruments
>and refine MACIAS.
>
>The instruments and external devices are tied to a computer running the
>program, a tuned assembly of over 200 individual screens and patches
>written in Max/MSP. When instantiated, MACIAS occupies more than 125MB of
>program memory not including audio buffers or data. All the components of
>a piece are contained within a score that sets and continuously updates
>thousands of parameters during performance. MACIAS executes the score and
>defines the timbres, harmonic and rhythmic structures, interaction trees,
>video selection and manipulation, etc. It determines the capture of audio
>and musicians' gestures and prompts the musicians to play at the correct
>times and either suggests politely a motif or demands and enforces a
>rhythmic harmonicity and a specific timbre.
>
>Composer Jay Cloidt, who has written for TrioMetrik, has remarked that the
>MACIAS system is "a tremendously flexible composer's and performer's
>toolkit. Orson Welles once said, that a movie studio was '.the biggest
>electric train set a boy ever had.' I think MACIAS  just may be the modern
>composer's electric train set."
>
>Description and live demonstrations will illustrate the system's
>capabilities and lay a basic understanding of how one composes in this
>style. The BEAM Foundation (the non-profit organization behind TrioMetrik,
>MACIAS and NuRoque <http://www.beamfoundation.org/>www.beamfoundation.org
>) is actively commissioning pieces for the Trio. These sessions will be an
>excellent introduction for interested composers.
>
>
>Keith McMillen
>Executive Director
>BEAM Foundation
>www.beamfoundation.org
>510.502.5310
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