Looper's Delight Archive Top (Search)
Date Index
Thread Index
Author Index
Looper's Delight Home
Mailing List Info
[Date Prev][Date Next]   [Thread Prev][Thread Next]   [Date Index][Thread Index][Author Index]

RE: LP-1: 1.34 or 1.37?

Too many Andys in the pot!!

My answer to this would be that since I have control over vol of every
loop, then I can lower them or raise them as need be on the fly, having
listed to this discussion though, I have lately been leaving them up and
if I need an adjust just use one of the eight pots I have programmed for
feedback and just lower them a bit, but noticing now that sometimes I
need that increased vol I just lost forever.

My goal is to monitor the same mix that is going out, and when I feel
best about a loop is when I have six or eight tracks just the vol I want
and I see that not one fader has to be touched to get there, that's
tough with six or eight instruments in the mix!!!



-----Original Message-----
From: William Walker [mailto:billwalker@baymoon.com] 
Sent: Sunday, January 02, 2011 1:30 PM
To: Loopers-Delight@loopers-delight.com
Subject: LP-1: 1.34 or 1.37?

> Current consensus is that 1.34c is the most stable,
> with 1.37 being good for most users.


  Hey Andy,

I can't remember if I asked you what your stability issues with 1.37  
were. What were you doing to cause it to crash? So far I have some  
problems when recording a really short loop and then starting to mess  
with it with track speed and q replace, occasionally a false trigger  
will send the machine into self oscillation. Occasionally if I get too  
trigger happy using q replace the machine will take some time to  
finish all of the cycles, but thats more about me being careless with  
my technique.  I still have somewhat of a volume issue where  
subsequent tracks I create seem to be progressively  louder than  the  
last ones I made,  that doesn't  seem to be caused by typical  issues  
of playing louder to rise above an increasingly saturated soundscape.   
This issue I have been compensating for by being more conscious of how  
I'm attacking the instrument  and how I use compression. There also  
seem to be the reoccurring issues of too many overdubs on a single  
track saturating and clipping the output, if feedback is set at 100%.
Thoughts, reflections, insights??????
Bill