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Re: Lower octave Micro Pog



I have two different routes that  I use.  One is an Electro-Harmonix Micro-Synth, which does a suboctave.  More recently, I got a Sonuus GM-2 pitch-to-MIDI converter (which is a great little toy for only $100) that I use to drive either a Waldorf Blofeld module or a Dave Smith Mopho.  There is a bit of latency with the GM-2, but the tracking accuracy is remarkably good.

Chris

----- Original Message -----
From: "van Sinn" <vansinn@post.cybercity.dk>
To: Loopers-Delight@loopers-delight.com
Sent: Monday, March 7, 2011 12:34:23 PM
Subject: Re: Lower octave Micro Pog

Hehe, yup, that's always the problem with pitch transposing, the need to
sample long enough to have enough information to be able to decently
create the new pitch.

I've never heard anything sounding sufficienty close to the real, and
will bet the best option will be to accept this, and use whatever pitch
transposer is found reasonably suitable for deliberately creating a
somewhat artificial effect.

I think the Eventide PitchFactor comes fairly close to a nicely useful
downtuning, plus it'll provide many other useful effects.  It's a pedal
too, and with MIDI to go,so..



andy butler wrote:
> hi Rick,
> yes and no ;-)
>
> It's a true pitch shifter, but it uses really
> small chunks for it's granular processing.
> (relying on identifying the pitch).
>
> The small chunks make for a synthetic sound,
> but mean that the POG can get zero latency when shifting down.
>
> Be aware, the pitch up on the Micro Pog does have latency (unavoidable
> for upwards pitch shift)
> and it's a bit flat in pitch (== bend the nots up a bit)
>
> andy
>
> Rick Walker wrote:
>
>> I have the Micro Pog (which is awesome) but, from my understanding and
>> , certainly from the sound,
>> this instrument generates a synthetic octave up and octave down and is
>> not a true pitch shifter.
>>
>> Do I have this right?     It certainly sounds synthetic but wouldn't
>> sound very organic with , say,
>> a flute.
>>
>> rick walker


--
rgds,
van Sinn