Re: GR-55 tip

[mark francombe <markfrancombe@gmail.com>]

thats very cool per, i have to admit that i havent delved into the
assign tabs yet, although i see them as bring very powerful. One thing
i forgot to mention that i love about the 55 is that within one patch
you can make alot of variations. you have 2 ctr switches, In that the
pedal has one, and the pedal can be assigned 2 ways, so within one
track you can easily stay within one patch, fading and switching
different variations.

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On 30 Nov 2011, at 01:23, Per Boysen <perboysen@gmail.com> wrote:

> On Wed, Nov 30, 2011 at 12:15 AM, mark francombe 
> <mark@markfrancombe.com> wrote:
>> Ive been doing something like this .putting slow slicer before a 
>> delay... if
>> the slicers speed is slower than (or is it just out of synch with) the
>> delay, it goes around filling up spaces...
>
> Yes, a nice one :-)
>
>> Is that the purpose of the "kill switch" to hard-mute the input?
>
>
>
>> How are you
>> making it.. by the way?
>
> Controlling volume somewhere I guess, a little different in each patch
> I've mad. Don't remember the details. Will check... well here it is:
> for starters, in the "edit / master / pedal-gk-ctl" I set the "ctl
> function" to momentary mode. Then under "edit / master / assign" I set
> up tabs for the CTR button. Like with the GR300 sound I set the CTR to
> momentary target "model synth/analog pitch sw" att full range ("lo =
> 0" and "high = 127", I think this results in one or two octave's jump
> for this sound). Other viable targets here are "tone switch" for
> kill-switch-swapping sound during playing notes. Hmm... well, that's
> it for the GR55. I guess most of the "machine-gun kill-switch" effect
> comes from that other fuzz sound slapped on the magnetic PU output
> line and targeted also from the GR55 CTL button but through sending
> out MIDI (going into Ableton Live and the Amplitube 3 plugin).
>
> But the details are not important. The point is the control signal
> path: kicking the CTL button as momentary to alter something. In my
> case here I typically target many parameters, both within the GR55 and
> outside it. This was one point with my post - to say, with an example,
> that it is also cool to double up and use the GR55 to control other
> stuff over MIDI.
>
> Per
>