Re: GR-55 tip

[Louie Angulo <louie.angulo@googlemail.com>]

Mark,the other thing i read is that with the GR-55 is not very good at
using it as an interface to trigger software soft synths,if u try this
features would you let us know?

On Wed, Nov 30, 2011 at 8:57 AM, mark francombe <markfrancombe@gmail.com> 
wrote:
> thats very cool per, i have to admit that i havent delved into the
> assign tabs yet, although i see them as bring very powerful. One thing
> i forgot to mention that i love about the 55 is that within one patch
> you can make alot of variations. you have 2 ctr switches, In that the
> pedal has one, and the pedal can be assigned 2 ways, so within one
> track you can easily stay within one patch, fading and switching
> different variations.
>
> Sent from my (advertisement removed)
>
> On 30 Nov 2011, at 01:23, Per Boysen <perboysen@gmail.com> wrote:
>
>> On Wed, Nov 30, 2011 at 12:15 AM, mark francombe 
>> <mark@markfrancombe.com> wrote:
>>> Ive been doing something like this .putting slow slicer before a 
>>> delay... if
>>> the slicers speed is slower than (or is it just out of synch with) the
>>> delay, it goes around filling up spaces...
>>
>> Yes, a nice one :-)
>>
>>> Is that the purpose of the "kill switch" to hard-mute the input?
>>
>>
>>
>>> How are you
>>> making it.. by the way?
>>
>> Controlling volume somewhere I guess, a little different in each patch
>> I've mad. Don't remember the details. Will check... well here it is:
>> for starters, in the "edit / master / pedal-gk-ctl" I set the "ctl
>> function" to momentary mode. Then under "edit / master / assign" I set
>> up tabs for the CTR button. Like with the GR300 sound I set the CTR to
>> momentary target "model synth/analog pitch sw" att full range ("lo =
>> 0" and "high = 127", I think this results in one or two octave's jump
>> for this sound). Other viable targets here are "tone switch" for
>> kill-switch-swapping sound during playing notes. Hmm... well, that's
>> it for the GR55. I guess most of the "machine-gun kill-switch" effect
>> comes from that other fuzz sound slapped on the magnetic PU output
>> line and targeted also from the GR55 CTL button but through sending
>> out MIDI (going into Ableton Live and the Amplitube 3 plugin).
>>
>> But the details are not important. The point is the control signal
>> path: kicking the CTL button as momentary to alter something. In my
>> case here I typically target many parameters, both within the GR55 and
>> outside it. This was one point with my post - to say, with an example,
>> that it is also cool to double up and use the GR55 to control other
>> stuff over MIDI.
>>
>> Per
>>
>
>



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