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Re: Sonuus anyone?



I had seen pricing earlier in the Spring and if I'm remembering
correctly, it's around US $250-$300 … supposed to be shipping late
this Summer, but that seems to keep getting pushed further and further
out.

I'm just hoping it gets out of "prototype ware" …

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/


On Mon, Jun 11, 2012 at 3:33 AM, Per Boysen <perboysen@gmail.com> wrote:
> Yes, I have seen some demonstation videos of the Triple Play, used
> with a guitar. Seems interesting. Has very fast triggering and
> wireless. Does it ship yet? I have not been able to find any price
> information.
>
> Per
>
> On Mon, Jun 11, 2012 at 10:46 AM, Philip Conway
> <Philip.Conway@bristol.ac.uk> wrote:
>> The company Fishman supposedly have a new wireless midi guitar device 
>> coming
>> out this year called the Triple Play.  It's designed by the same guy 
>> that
>> designed the Axon boxes.
>>
>> http://www.bestofnamm.com/products/view/tripleplay
>>
>> Apparently it's physically impossible to decrease the latency the Axons 
>> have
>> simply because the string has to be vibrating for a certain period of 
>> time
>> in order to produce enough information to determine pitch.  However, the
>> tracking is supposed to be better.  And it's tiny!
>>
>>
>>
>> Philip.
>>
>> --On 10 June 2012 15:52 +0200 Per Boysen <perboysen@gmail.com> wrote:
>>
>>> On Sun, Jun 10, 2012 at 3:15 PM, andy butler <akbutler@tiscali.co.uk>
>>> wrote:
>>>>
>>>> Hi Per,
>>>> afaik Midi pitch bend is essential for really good tracking.
>>>> Sometimes the note picked is out by a semitone, and an immediate Pitch
>>>> bend compensates.
>>>> ..well it happens with the fast tracking Axon like that.
>>>
>>>
>>>
>>> The Axon is know for the fastest tracking. But I still chose to go
>>> with synths that do not follow the guitar too close (i.e. pitch bend
>>> turned off, synth working in chromatic mode). Not only for the
>>> esthetic reason already mentioned (rather using synths *behind* string
>>> sound to complement and enhance string sound) but also because I like
>>> to apply an arpeggiator between the guitar/stick generated MIDI and
>>> the synth. And I don't like the rapid arpeggio to follow pitch-bend in
>>> a melody played over the arpeggio.
>>>
>>> Maybe this approach comes from beginning with "MIDI guitar" in the
>>> late eighties when the Casio MG502 was introduced (still got mine!!!)
>>> and the speed of triggering was very, very slow back then so only the
>>> put-synth-pad-behind-string-sound application made any musical sense.
>>>
>>> I can say that from my recent experience with the GR-55 I actually
>>> enjoy playing GR-55 synth sounds that follow pitchbend and use it more
>>> to blend with the string sound into a unified sound (rather than as a
>>> complement). But for me it never reaches the same playability and
>>> expressiveness as the pure string sound (or as if using an EWI as the
>>> hands-on instrument).
>>>
>>> Greetings from Sweden
>>>
>>> Per Boysen
>>> www.perboysen.com
>>> http://www.youtube.com/perboysen
>>>
>>
>>
>>
>>
>