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Re: jazz on tele's etc./Gibson Explorer
Hello,
As a Godin player i am in love with mine. My luthier has customized mince
with stainless steel fretts & Lace pickups, multiple selector switches for
either humbucking or single selection & some other goodies still to go. Of
course, the internal synth access is fantastic.
> ----- Original Message -----
> From: "Christo Jota" <chris@christojota.de>
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: jazz on tele's etc./Gibson Explorer
> Date: Mon, 5 Apr 2010 09:50:53 +0200
>
>
> I remember, a long time ago, maybe even in the early eighties, donīt
>know,
> I checked out a Gibson Explorer in a store and was blown away by itīs
>warm,
> fat sound and the feel on the neck. I still can remember how sad I felt
>cause
> I didnīt have the money to buy it. I was much into kind of heavy
> Blues, Rockīn Roll
> music, done by the likes of Johnny Winter.
> Now, for my smooth ambient sounds, Iīm not interested in the
> Explorer anymore, would
> rather look for a Godin or so, but in those days I would be a happy man
>to get
> this strange looking axe.
> christo
> www.christojota.de
>
> --------------------------------------------------
> From: "Charles Zwicky" <cazwicky@earthlink.net>
> Sent: Thursday, April 01, 2010 4:43 PM
> To: <Loopers-Delight@loopers-delight.com>
> Subject: Re: jazz on tele's etc.
>
> > I realize that you're simply trying to make a point, but I want
> > to hip you to a little known fact: Flying Vs make FANTASTIC jazz
> > guitars.. the body and neck are made from a very thin piece of
> > mahogany , and they have a natural warmth and resonance... you'd
> > prolly only get away with it in the studio... nobody in a Jass
> > club wants to see some middle aged Jass guy with a flying V (and
> > spandex)....
> >
> >> Good point on the flatwounds. My observation is that you can
> >> take any guitar, and I mean any guitar, that has a neck pickup,
> >> put flatwounds on it, and plug into any amp that allows you to
> >> pump up the lows and roll off the highs, and you can get at
> >> least 50% to that "jazz guitar" tone. I don't care if it is a
> >> Gibson Flying V....humbucker neck acticatd... into a amp with
> >> bass on 5, mid on 4, and treble on 2....I can play a jazz gig
> >> and sound halfway decent. I may look ridiculous, however :)
> >>
> >> Hmmmm, maybe I should have a custom hollow body archop Flying V
> >> made. Hah hah.
> >>
> >> Kris
> >>
> >> ----- Original Message -----
> >>> It's interesting how certain elements work together on specific
> >>> guitar models. A Tele can be a great jazz guitar with the
> >>> treble rolled off, a humbucker or P90 in the neck position
> >>> certainly helps, but heavy strings even more so. Put some 12
> >>> or 13 flatwounds on a standard Strat and off you go!
> >>>
> >>> I got that from a studio player friend of mine who is
> >>> constantly changing instrument's setups, putting nylon strings
> >>> on older Martin's, thin strings on a jazz box, heavy gauge
> >>> stuff on a Strat just to see what he comes up with. Quite a bit
> >>> of setup work there (also some cheaper guitars might start to
> >>> go south under 13's these days), but probably more rewarding
> >>> that trying out your 12th variant of a modded Tubescreamer
> >>> clone.
> >>>
> >>> On the other hand my luthier once as an experiment (no extra
> >>> holes drilled) put a Tele bridge on my 1960 Gibson Melody Maker
> >>> (the single cut LP shaped variant with P90's added) - and that
> >>> small mahagony swampthing suddenly started to put out some
> >>> serious twang, amazing difference. Too much twang for me, we
> >>> put the Pigtail one-piece- bridge back on...
> >>>
> >>> Best, Andreas
> >
> >
> > -- ...
> > http://www.zmix.net
> >
> > http://www.esession.com/ChuckZwicky
> >
> > http://albumcredits.com/zmix
> >
>
Mark Showalter
Minden Jot!
myspace.com/folkstone57
last.fm/folkstone57
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