oh yeah definetely... of course
in my case i guess it doesnt work with some particular voice
samples..
best
Am 03.10.10 23:22, schrieb Gareth Whittock:
BAY145-w14516D334488BF03BFCFD856B0@phx.gbl"
type="cite">
Unless mechanical is what you want...
Peace
G
Date: Sun, 3 Oct 2010 23:15:39 +0200
From: nadia.salom@gmx.de
To: Loopers-Delight@loopers-delight.com
Subject: Re: Fighting the temptation to noodle
having one chord playing all the way through is not so much the
problem as having the same sound sample repeat itself through your
piece... that's just mechanical
Am 03.10.10 22:21, schrieb Toby G:
F094041E89984D939DEC35FF0FB64B09@NORBY11">It's
actually more challenging and interesting to have a single note
background, then you can try all sorts of modes over it. If you
can do two asynchronous loops you can have one with a single
note background, then the other looper brings in a chord every
once in a while to change the harmonic structure. And those can
vary in the performance according to your taste.
t
----- Original Message ----- From: "Mark Hamburg" <mark@grubmah.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, October 03, 2010 11:55 AM
Subject: Fighting the temptation to noodle
In endeavoring to strip my rig down, I've been playing with just
the looper in the Line 6 M13. This is fun, but I find myself
recording a loop and then just leaving it be while I play over
the top. From a live looping standpoint, this feels like
cheating. Everything turns into one long ambient guitar solo
over a static loop which isn't really what I was after. Yes, I
could go play with half speed and reverse and sometimes I do,
but I still end up back at the soloing over a static loop point
fairly quickly. Any advice? Does feedback work well enough on
the M13 to make it viable for loop evolution? (I'm finding my
existing expression pedals don't seem to give all that precise
control with Line 6 equipment.) Or is it time to wire the EDP
back into the set up?
Mark
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