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Re: Fighting the temptation to noodle

oh yeah definetely... of course

in my case i guess it doesnt work with some particular voice samples..

Am 03.10.10 23:22, schrieb Gareth Whittock:
BAY145-w14516D334488BF03BFCFD856B0@phx.gbl" type="cite"> Unless mechanical is what you want...

Date: Sun, 3 Oct 2010 23:15:39 +0200
From: nadia.salom@gmx.de
To: Loopers-Delight@loopers-delight.com
Subject: Re: Fighting the temptation to noodle

having one chord playing all the way through is not so much the problem as having the same sound sample repeat itself through your piece... that's just mechanical

Am 03.10.10 22:21, schrieb Toby G:
F094041E89984D939DEC35FF0FB64B09@NORBY11">It's actually more challenging and interesting to have a single note background, then you can try all sorts of modes over it.  If you can do two asynchronous loops you can have one with a single note background, then the other looper brings in a chord every once in a while to change the harmonic structure.  And those can vary in the performance according to your taste.

----- Original Message ----- From: "Mark Hamburg" <mark@grubmah.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, October 03, 2010 11:55 AM
Subject: Fighting the temptation to noodle

In endeavoring to strip my rig down, I've been playing with just the looper in the Line 6 M13. This is fun, but I find myself recording a loop and then just leaving it be while I play over the top. From a live looping standpoint, this feels like cheating. Everything turns into one long ambient guitar solo over a static loop which isn't really what I was after. Yes, I could go play with half speed and reverse and sometimes I do, but I still end up back at the soloing over a static loop point fairly quickly. Any advice? Does feedback work well enough on the M13 to make it viable for loop evolution? (I'm finding my existing expression pedals don't seem to give all that precise control with Line 6 equipment.) Or is it time to wire the EDP back into the set up?