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Rick,   As a Mackie 1202vlz owner I’m intrigued – how do you get maximum routing 
out of it, if I might ask? 
  
Sent: Saturday, November 20, 2010 6:41 PM Subject: Re: lp-1 tricks   Thanks for all the thoughts.Yeah,  I'm pretty good at 
setting up my Mackie 1402 or 1602 so that I can get maximum
 routing (and 
muting options) but this D-Tar is a lot less sophisticated (yet I can get it on
 an airplane).
 
 I'll have to experiment with the master effects 
chain.   I have to look up whether it is pre or post 
faders.
 
 anyway, thanks for all the time you spent and your 
friendship.  I hope I get to hear you play some day.
 
 who knows 
whether someone will step up and do the looping festival in nor cal again next 
year.
 there are some rumblings, but it's really time for me to 
redirect my energies to my own artistry after 10 straight years of tithing my 
time and energy to the looping community.
 
 I love it, but I feel like I'm 
running out of time to get the myriad creative things accomplished that I want 
to get accomplished on this mortal coil.
 
 Cheers,   
rick
 
 
 On 11/20/10 5:53 AM, Simeon Harris wrote: 
 well i don't have my lp-1 any more. i'm using mobius in bidule on 
  a macbook pro. but i used to use it with a rack mixer. i used to split my dry 
  signal into three streams. one went direct to the mixer and the other two went 
  to my repeater and the lp-1. the lp-1 was set to 100% wet. the mixer had mute 
  buttons on it, so i could mute the dry signal completely. if you put the lp-1 
  into the master aux send of your mixer, you could do the same, simply by 
  dropping the fader where you have your main signal going in. the aux send will 
  be pre-fader, so signal will still get sent to the lp-1. the lp-1 would be set 
  to 100% wet. i think the inserts would be pre-fader too, so no problems 
  there.Thanksi did use the aux sends in the lp-1. you can't alter the levels 
  directly, but volume control can be achieved further along the 
  chain...especially if you route them back to a channel on the mixer. in fact 
  having a slightly larger mixer would allow you to have main signal on channel 
  1, lp-1 main output on channel 2, aux 1 output on channel 3 and aux 2 output 
  on channel 4. total control. i had my aux 1 routed to a lexicon mpx-1, so i 
  could further treat my loops. the outputs came back to another channel on my 
  mixer. i had a kaoss pad on the fx send of the repeater too. again...it came 
  back to it's own channel.
 i never really use song form looping, so i can't 
  help you there, i'm afraid. many people do and some of them post on the lp-1 
  forum, so i'm sure you could get some help there, if you feel you need it. i 
  know it's completely possible to get some quite sophisticated arrangements 
  going with the right string of commands. sounds exciting and scary - hats off 
  to you sir and best of luck with it!
 
 sim
 
 
 
 
 On Fri, Nov 19, 2010 at 8:08 PM, Rick Walker <looppool@cruzio.com>  wrote:
   
    
    out of curiosity,  how 
    do you route your LP-1?     For my travel rig , where I 
    use a DTAR 2 channel mono mixer (mostly for space and weight 
    considerations)  I have the possibility of using a single master 
    effects loop and then I have insert chains potentially for each single 
    channel.On 11/19/10 9:08 AM, Simeon Harris wrote: 
     cool. i can't remember how i stumbled on 
      this...probably by accident, but it's a great technique. i think i usually 
      used fast scramble and then did half speed on the loop to get the scramble 
      rate i liked.
 because i split my dry signal and my 
    loops
Currently, I'm using the inserts to send and return from my 
    stompbox pedals (and M9 looper)
 and then, probably primitively, I'm 
    sending the final mix to the LP1 and from there to the PA
 
 My brother 
    says I should not do this and should use the Master Effects loop to send to 
    the LP1
 but I wanted to be able to have a completely wet signal if I 
    need it in the LP1.
 
 Do you have an opinion on this 
one?
 
 
    Have you 
    experimented using the Aux sends, out of curiosity?, it's easy to mute the dry part. you can have 
      some fun creating loops where you can't hear what you're playing - 
      especially if the loop is heavily treated with fx. i learned this tip from 
      david torn, while watching one of his "painting with guitar" videos years 
      ago.
 I haven't even 
    looked.   Can you change the volume of each send 
    individually?
 
 It's funny, but though I use a lot of the features on 
    the LP1 I don't really know it
 deeply.   I'm just now wanting 
    to use it to create coherent singer/songwriter forms
 so I have a bit of 
    a learning curve to figure out what people have done along those 
    lines.
 I've played abstractly for the last 10 years..........complete 
    improv always and suddenly,
 I'm really hankering for song form, 
    structure and melody in my own work:  writing my first ever 
    singer/songwriter record (using a ton of really simply played acoustic 
    instruments--mostly because I"m a neophyte on all of 
    them).    I'm simultaneously really turned on musically and 
    really scared and insecure (especially about writing 
    lyrics).    I'm trying to force myself to grow through the 
    stuff that turns me on and scares me simultaneously.
 It's going to be an 
    exciting year!
 
 
    Yeah, no 
    kidding.  This LP2 project and the fact that it's radical delay this 
    year (due entirely to the irritating people who manufacturer the boxes he 
    had designed who have held himanyway, if you come up with some nice stuff 
      using this technique, please post some clips, i'd love to hear what you do 
      with it.
 
 btw - just read on facebook that bob has a new update out 
      for the lp-1, so hopefully you guys will get some bugs 
    fixed!
 
 up for an entire year) has forced him to 
    take on another full time job (as well as raise his family of five) really 
    put the LP1 problems on back burner, but I know he's back on it 
    again.
 I've got some really killer rhythmic software additions coming 
    down the pike for the machine
 and he's promised those ideas top priority 
    for the person who's helping him code now.
 Stay 
    tuned!
 
 you too, Simeon!all the best
 
 
 rick
 
 
    sim
 
 ps - watch the "reply-to" address 
      if you don't want to go on-list
 
 Wonderful technique, Simeon.
 For all the times I"ve used 
      sus replace (I'm responsible for putting a version in the upcoming new 
      LP-2 Mini Looper) I never thought of doing this.
 
 I suppose on a 
      single song you could go to wet only in the main menu of the Looperlative
 to get the loop on it's own.
 
 I just love recontextualizing 
      random and then bending it to one's own will ----
 muaaaaaaaaahhhhhhhhhaaaaaaaahaaaaaaa!
 
 take care, and thanks for 
      the tip.
 
 Rick Walker
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