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Re: The hidden parts



As a matter of fact, this seems an interesting off topic thing.
I found myself experiment a little on melody and "non-said".

I've tried on written melody of myself, or other well known, to find ways
of simplify (Oh, does it exist, simplify???) the melody by deleting notes,
of course trying to delete notes that would not affect the
harmonic/melodic/emotion content. 
In fact it is this thing Salieri said about Mozart music that gave me the
idea "too many notes".
Seldomly, it works.
Most of the time, not on other's melody, a little on mine. But that would
mean as well that i'm writting to heavy melodies, and not that i'm sliding
into the implicit part of music (ie, the darkside of the force?)
Olivier