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Re[479]: ProjeKct 2 >>> Slick n' Finished VS Fresh n' New
OB KimF disclaimer... hit that delete button now Kim! 8->
Laurie said...
LH: Story time, girlz and boyz: I'm reminded of the first time I heard
Emerson,
Lake, and Palmer in concert, early 70's. (Oh gawd, that just about puts
me in
Grandmaville, doesn't it? @8^)
MB: Since we're dating ourselves... I saw ELP at the Hollywood Bowl, I
believe,
in the middle slot with Edgar Winter closing... Rick Derringer on guitar.
This
had to be in the very early 70's?
LH: I went to their first-of-tour warmup concert in a little college town,
and
they blew me away. It was flawless, intense, dynamic - big flashy show.
Two
nights later I saw them in the city. Clone concert, absolutely identical
down
to the note, nuance, rap,
look-up-at-the-crowd-with-sexy-smile-on-this-measure,
*everything*. I was really disillusioned...SNIP!
It's not *their* fault I was disillusioned. They were playing their butts
off,
delighting their fans, and paying the bills. (I do wonder, though, if by
the end
of the tour, the repetition started to feel stifling, even with the
adrenaline
rush of playing for huge enthusiastic crowds.) The problem was only mine,
in
that my expectations were pretty naïve and idealistic. However, _I don't
think
that idealism was unfounded at all. It was a major turning point for me in
terms
of realizing that improvisation was a more satisfying direction for me
personally...SNIP
MB: I guess the music biz in those days was *very much* oriented to
replicating
the album for the record buying audience, with some noteworthy exceptions.
The
promotion of those tours was probably all handled by Label mgt. as well as
band
mgt. And maybe (just maybe) funds from those tours were repaying label
advance
promotional and recording budget recoups. The present doesn't seem to have
changed that much for major pop artists. On the DIY and Indie front maybe
we can
harbor different expectations...
My comment is this: Is the music being composed and preformed designed to
be
played or sold? I'm sure many seemingly canned, stale sounding renditions
of
addmittedly great songs, were originally a passionate attempt of the
writer to
somehow convey something important to them *at that time*.
Time really changes everything though. I keep asking myself how to somehow
integrate and present songs I've written over the years in some meaningful
way
to me. Very dark painful songs have a hard time living next to brighter,
funnier
material. Whatever was written most recently seems always to have more
immediate
value even though I still find deep meaning in many of my other songs.
Hence my slow swing back to improvised music. It stands in the present for
me,
and comes without the obligation to go back to retrieve feelings long
past. It
holds a vast potential as well as the risk of falling into the void.
Now it would seem, I have the responsibility to at least some of my songs,
to
somehow experiment with loose re-arrangements to seek their validity in
the
current moment. Hopefully with loops and all... There! LD relevance. (If
this
sort of discussion has totally lost relevance here, sorry... The
discussion IS a
result of a highly loop involved live performance.)
LH: Which is why, at the very least, I admire the scope, vision, and risk
of the
ProjeKct tours, independent of the music itself. How Fripp, Gunn, and
Belew --
and their fans -- will feel about their efforts and depth of
experimentation
when it's all over is anyone's guess. The music's evolution over the
course of
the tour will be very interesting. I'd love to hear an "after" cd
juxtaposed
with the pre-tour recording. (BTW, if you really are hopelessly
pathological
about this, Gunn's Road Diary has some entries about making the P2 cd, as
well
as the P1 performances: http://www.treygunn.com/road.html. Hearing about
P1 &
2 from one of the participants is actually pretty revealing.)
OK, off my soapbox. Thanks for everybody's perceptive, probing questions,
and
thoughtful ideas.
laurie
Off mine too...
Cheers,
-Miko