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Re: Spring peepers...
> One last question or two, does anybody here know of someone who has done
> something completely with birds, animals, samples environmental that was
> percussive as these birds were, and last has here anybody used bird calls
> and why? Was it for a particualar mood, for example.
I made mention of this piece a while ago and it received absolutely NO
acknowledgement from anyone, so maybe it's not that cool a reference, but
for
my taste one of the most stirring and haunting musical uses of looping I
have
ever heard is on Joni Mitchell's "The Wolf That Lives In Lindsey", where
her
free-form acoustic guitar is accompanied only by Don Alias on handrums and
old-fashioned tape loops of coyotes howling. It's on the album "Mingus",
for
me a lukewarm record in her otherwise excellent catalog, but it's worth the
price of admission for "Wolf" and some of the Joni/Jaco interplay
throughout.
I believe "Wolf" may have been reissued on her recent "Misses"
collection, so
there might be your chance to hear it in the company of some stronger Joni
material.
Ken R