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Re: Modulations
From: David Myers [SMTP:dmgraph@earthlink.net]
>Sent: Saturday, September 05, 1998 5:01 PM
>To: Loopers-Delight@annihilist.com
>Subject: Re: Modulations
>
>Anybody else see this? The reviews have been good, and have considered
>taking it in-but the previous film (from this director, I believe),
>"Synthetic Pleasures", was a true embarrassment, some of the most empty
>godawful crap I've ever endured on film....
Guess ya didn't care for that one much, huh David? %^) I didn't see it,
but
for what it's worth, a couple of the comparative reviews I've come across
do
describe S.P. less charitably than Modulations. As in "too scattered",
and
"without a clear focus" (Metro, San Jose). Sounds like that reviewer
wasn't
quite as disgusted as you were!
Even if Lee's fundamental style and vision simply aren't one's piece of
cake, I
would still recommend Modulations if for no other reason than to catch
talking
head interviews with some of the pioneering greats - Stockhausen, Moog,
and
Macero come immediately to mind. For instance, Macero describes the tape
slice
n' splice he did with some of Miles' stuff (i.e. Live Evil) which I found
quite
interesting. Those are just a few of many segments in which musicians,
composers, and inventors on the cutting edge of their craft, both past and
present, discuss/demonstrate a gamut of topics: their approach, style,
techniques, philosophy, influences. Hey, there's even a little bit of
gear
talk! -- albeit not much... (Not to mention a few mid-rave shots of knobs
getting ~~twisted~~, you reading this, Lambrecht? %^)
A linear, fully comprehensive, meaty history and analysis of the
electronic
music scene this is not, nor is it intended to be. It's an art film, one
might
say reflective of the culture which fuels its subject. However, I do
believe
that one could separate substance from aesthetic (or perceived lack
thereof)
and still come away with a meaningful experience.
laurie
http://www.modulations.com/Film/modulations/modcontents.html