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Frisell @ the Vanguard
I caught the first set on Thursday night, Frisell used a lot of looping.
He
had his EH 16 Second Delay resting on-top of his foam clad Lexicon Lxp-5
all
within easy reach on a stool. He tapped in and out and tweaked levels and
reversed loops with his hands (no dancing involved). He was focused on
capturing motifs from his solos and then playing against them or bringing
them back later. He seemed vary much at home with the EH and was able to
create some very interesting and musical effects with it. One particular
moment which stands out; is when he brought back a particularly nasty
bluesy
lick ladden with tubescreamer (that's right no RAT)after a long quiet
section on a dimminuendo which might have been interpreted as a fade out.
The nasty lick (playing back in reverse mode) kicked the song back in and
he
launched into a raunchy outro solo. The achieved effect was clearly
amusing
to Bill. His performance is a testimony to the value of being intimately
connected to all instruments in one's signal chain. There are other
devices
which might have been more efficient but he has clearly spent a lot of
time
developing his own techinique for manipulating his chosen foil and from
that
kind of intimate knowledge one always yields more original and musical
effects.
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