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Re: Looping Laurie Anderson
A highly personal thought re this thread:
Music involves both sides of the brain for me. The right side, intuitive,
emotional, involving my body... when I get into that side of myself, music
comes and visits, ideas come easily... I have recordings of things, and
tunes
I've written, where I have no idea afterwards what happened, how I played
what I did, why I chose that chord, etc.
The left side, intellectual, formal... I often use that side to clean up
and
organize the stuff I made from the right side. This is often the side
that
deals with technology. My 'heart' or 'soul' often has problems dealing
with
Insert modes, MIDI, milliseconds, etc., or even such basic things as
intonation.
Not being female, I can't address why women do what they do, or not do,
but I
believe both sexes have both sides of the brain, and choose how they live
in
each. (Of course, how they address this is what makes us the sexes we
are...) When I get too emotional, I can't easily think about all these
knobs
and crap... and I usually end up playing acoustically!
The real key to working with tools (i.e. technology) is to learn to
address
them from both hemispheres, or to balance myself so that I can address
both
of them inside myself at once. (And most therapists don't have a clue on
how
to approach this, either...)
Think about it another way: Laurie is/was technologically far ahead of the
curve. But she does not embody many of the traits that our culture
regards
as feminine. And she has done some gender-bending in her work as well (I
am
thinking first of the instances when she has harmonized her voice down to
a
masculine pitch...).
Here lies a problem we all keep answering in one way or another -- the one
of
using technology to reach a place where technology does not live- a place
inside us as listeners. This is the place music wants to go anyway...
The
most basic primordial original expression needs no EDP, that's for sure.
At
the other extreme, using all the technology we can can easily lead to
overload, tabula-rasa-block (that sense of paralysis that comes from not
being able to choose from too many possibilities), or the utterly soulless
expression, which is rampant. So how do we account for it? Your mileage
may
vary...
I welcome everyone's thoughts on this... even if you think me full of
shite...
Kevin Brunkhorst <A
HREF="http://members.aol.com/kb305/kb305/">http://members
.aol.com/kb305/kb305/</A>
Red Road the band <A
HREF="http://www.iuma.com/IUMA/Bands/Red_Road/">http://r
edroad.iuma.com</A>