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Re: Repeater Foot controller?
Mark Sottilaro (12:39 PM 11.03.2000) wrote:
>I went and ordered a Repeater from Alto music (Don't worry Kim, when the
>Echoplex comes out I plan to purchase one of those as well!) and was a
>little dismayed when my question of, "Does that include the foot
>controller?" was answered, "That device doesn't have a foot controller."
Right. One does *not* come with it.
I think that the email that you're referring to is this one from Damon:
Hey loopers,
Trying to stay true to some of the comments around here I would like
to request some feedback on a MIDI foot controller for Repeater. I
posted a very quick concept sketch on our site. Just on click
http://www.electrixpro.com/topsecret/remi.gif to view it.
Please leave any feedback in our Electrix forum to avoid annoying
everyone here. Just go to our site http://www.electrixpro.com and click
on "views" and then "forum". Just leave your comments in "loop based
recording"
Best Regards,
Damon Langlois
Creative Director
Electrix / IVL
"No Creative Barriers"
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com
The forum doesn't seem to be online though.
>Now, I've got to say that I'd have still purchased the unit, regardless
>of foot controller, but what gives? I've been using a cheesy ADA midi
>controller to control my JamMan. Will I have to purchase yet another
>controller?
Repeater will work with a MIDI controller, but will also work with a
simple
footswitch controller. Electrix is looking to bring out a separate MIDI
based foot controller in the future. That was what the discussion was
centered around.
From the website:
Remote Control
-Any TRS style 3-button foot controller (like a Digitech FS-300)
gives foot control over play/stop, record and tap tempo.
-Repeater can be operated from a MIDI foot controller for
"Hands Free" use.
-Full MIDI control also means you can sequence your loops to
create complete song structures.
-MIDI keyboard control over the pitch offers real-time
manipulation over the sample. Experiment with melodic
variations of the loop.
Mark