[Date Prev][Date Next]   [Thread Prev][Thread Next]   [Date Index][Thread Index][Author Index]

Re: Tempomorphic Performance




--- Michael Peters <mpeters@csi.com> wrote:
http://www.brunel.ac.uk/depts/pfa/bstjournal/2no2/Papers/Rob%20Doyle.htm

Wow, the language and style are sure different
(variable eyebrow heights), but Doyle's comments on
temporal perception as objective/subjective resonate
with something I read yesterday re: audience attitude
towards looping as influencing perceptions of time and
space.
(Last paragraph of:
<http://www.jambands.com/july99/ghosts.html>)

It's cool seeing academia evolve, in this case
applying theoretical analysis to Jimi Hendrix.

Doyle: "Structure is provided by the melodic and
harmonic progress of the through-composed anthem;
performance procedure entails the musician, his
instrument and attendant processing and amplifying
devices in a concert situation; pitch, rhythm, and
harmonic data are encoded in the manipulation of
guitar strings; an underlying pulse is present in
represented metre of the musical text; structure
variables include exposition of text and
improvisations arising from the text; and stylistic
parameters are fulfilled by characteristics of the
instrument used."

Hendrix: Uh, yeah. (Launches into "Crosstown
Traffic"...)

-t-

__________________________________________________
Do you Yahoo!?
Yahoo! Mail Plus - Powerful. Affordable. Sign up now.
http://mailplus.yahoo.com