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How do you approach looping composition?
Hello,
It's my first post (even if I registered to the mailing list 5 months
ago), so I'd like to introduce myself:
I'm a (non professional) bassist from Milan, Italy.
In the last 9 years I played mostly blues and rock-blues, then I started
being interested in ambient dub after reading an article in Bass Player
magazine about Bill Laswell.
At the same time I found loopers-delight, I appreciated the perfect mix
between the importance given to the conceptual aspects of looping and
the discussion about technical aspects.
Looking for looping bassists I found Steve Lawson's incredible website
and this helped me to decide to buy an akay headrush and trying to
become a looping bassist.
My actual gear is:
Basses:
Fender Mexican Jazz Bass
Laurus (an Italian Luthier) Stylist 4 string Bass
'71 Gibson EB-2
Washburn AB-20 defretted
My effect chain is:
Bass -> EBS BassIQ -> Tech21 Bass Compactor -> EBS Multidrive -> Akai
Headrush -> Rolls DI -> Behringer Mixer -> IBM Thinkpad (as recording
unit).
I never used any looping device live, but the looping concept hit me so
hard I decided to give up my actual rock-blues band and concentrate on
the musical and conceptual aspects of looping.
After this (long) presentation (I couldn't resist talking about myself
and my gear), this is my question:
How do you approach looping composition? I'd like to create some
composition and a little repertoire, as I'd like to try some bass
looping busking.
When I try to compose something, I start with some simple riff, then I
add some layer, but soon I've the impression of overplaying and messing
up everything.
I think that I'm focusing too much on the looping paradigm, and I lose
the musical inspiration. Another disturbing thing is that I tend to
answer and react to the loops I create filling every silent part
producing a strong anxiety impression in what I play.
I know composing is a very personal matter, but I hope to get some
suggestions from you experienced loopers.
cristian