RE: ending ambient pieces when playing LIVE shows

["hazard factor" <artists@hazardfactor.com>]

I tend to not stop between songs till I am ready to leave. I like that
tension of the audience thinking 'is this song ever going to end?' & the
'this screws up my Pavlovian play and respond Response'. No awkward 
pauses. 

Dave Eichenberger 
http://www.hazardfactor.com 

 
 
> nothing is worse than not knowing when to applaud.
> 
> stephen.
> 
> 
> 
> ______________________________________________________________
> ____________
> 
> "Losing all hope is freedom." (Edward Norton / "Fight Club")
> 
> Visit the official [īramp] website at www.doombient.com
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> 
> ----- Original Message -----
> From: "Jesse Lucas" <jlucas@neoprimitive.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, February 21, 2005 8:28 PM
> Subject: Re: ending ambient pieces when playing LIVE shows
> 
> 
> > Oh, no, wait, punk rock is minimalism...
> >
> > Fuck.
> >
> > -J
> >
> >
> >
> > Jesse Lucas wrote:
> > > Historically, minimalist pieces usually end with a studio 
> fade, or a 
> > > brick wall-type ending.
> > >
> > > You either do that, or you have no endings and just blend 
> each piece 
> > > into the next.
> > >
> > > Actually, historically, minimalist pieces ended with, 
> what, punk rock?
> > >
> > > 1, 2, 3, 4!
> > >
> > > -J
> > >
> > >
> > >
> > > Michael Firman wrote:
> > >
> > >> Set the feedback to about 70% and walk away.
> > >>
> > >> On Feb 21, 2005, at 12:45 PM, David Beardsley wrote:
> > >>
> > >>> David Kirkdorffer wrote:
> > >>>
> > >>>> I'm curious to hear ideas and techniques people have used (or 
> > >>>> stopped using) to end an ambient piece of music at a live show.
> > >>>>
> > >>> The long fade. The longer the better.
> > >>>
> > >>> --
> > >>> * David Beardsley
> > >>> * microtonal guitar
> > >>> * http://biink.com/db
> > >>>
> > >>>
> > >> --
> > >> | Michael A. Firman
> > >> | maf@mlswebworks.com
> > >> | http://www.mlswebworks.com
> > >>
> > >>
> > >
> > >
> >
>