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re: jealous of bay area gigs
Edwin Hurwitz wrote:
"PS I am getting pretty jealous of all the people living in the Bay
area, hearing about the shows going on and opportunities to perform.
Anyone here in the Denver/Boulder region that I can go see?"
Dear Edwin,
Having been one of the people who has put on a lot of live looping shows
in
the Bay Area
I wanted to share with you that everyone of these gigs was chiseled out of
stone because
there was no such thing as a venue for live looping...............people
didn't know what it was.
What we did and what I'd like to encourage everyone to do in their
communities that have more
than 2 live loopers in them is to do one yourself, even if you are afraid
that you don't know how to do it.
I was scared shitless to do the first five or six of them, myself but
discovered that a lot of people are interested
in hearing something different in music.
Here's a simple template for what it takes to make a looping festival
(even
if it has only three artists in it like our
Guitar Mini Looping Festival this coming Sunday.
Look around your area and find a venue that is having a hard time
getting patrons to come..............a bar that's not so popular, a brand
new coffee shop, if possible,
a brand new and very insecure venue that has opened up.
Go to these people and say that you want to do a show on a really off
night
(we started with Tuesdays and
Sundays originally) that will cost the bar/coffeshop/art gallery/venue no
money to produce and that you are sure
that you can bring 20-25 patrons in that would normally not come into the
place.
Then find 3-10 loopers in your area or surrounding cities; book them and
get everybody to do anything possible to
publicize the gig. Undoubtely, someone will have a P.A. to add to
donate
for the evening (we are a bunch of
Gear Aquisition Syndrome junkies are we not?)...............
Next, go to the newspapers that is around and let them know that you
are part of a burgeoning international live looping scene (it actually is
quite burgeoning these days............lol..........just look
at Zurich, Firenze, Cambridge and Kobe) and that you are turning the
citizens of your fair city onto a free concert of
really creative music.
Next, call up the local college or independent radio station in the area,
give them the same hype and ask if you could come on the
air and either 1) play a lo tech live performance or 2) do an interview
on
the new movement (electronica shows are really responsive to this as well
as
any new music shows) and then bring in as many CD samples of the artist
who
are going to play as possible to
play representative music----if you want to get fancy and have the
wherewithall..........make a compilation CD with 1 or 2 minute snippets of
representative music and make up a hand full of copies to give to
journalists and disc jockeys.
We mostly have fairly small rigs or even with big rigs there usually
aren't
more than a couple of racks (albeit high ones in the case of a Ted
Killian.........lol) so all the performers can fit on one stage usually.
This makes for a fast moving show for newbies (people who don't know what
the hell we are doing) and you don't have to have set changes.
Divide the evening (or afternoon into evening) into the number of
performers and give everyone at least a 30 minute set if not a
45 minute set.
This is the exact formula I've used time after time after time to do the
25
some odd festivals that I've been directly involved with.
So, pardon my gratuitous advice, but don't be jealous of the Bay
Area.............put the effort into creating a show like this like the
Matt Davignons and Bernhard Wagners and Hans Lindauers have.
We created all of this out of nothing. We had no money. We had no one
interested in what we did. We just got creative and worked really hard.
Besides I want to be invited as a guest artist to the next Boulder Live
Looping Festival so I'm just being narcissistic.
yours, sincerely, Rick Walker
ps If you ever need any advice (anyone) about how to overcome obstacles
in
your community, I've encountered just about every obstacle that one could
think of from lack of venues to disgruntled festival attendees so I would
be
more than happy to help out with whatever I've learned to help you do it.