Re: Re:Re: EDP LOOP4 question: Accessing individual loops directly

[Luis Angulo <labalou2000@yahoo.com>]

very simple, because i want to change tonality when i
feel like it and not be tight up to fixed bass
lines... besides going through the proccess of double
speed to get a half speed bass line isnt always that
attractive to me,but i can imagine having 5 different
steady looped harmonies which i can trigger at random
and experimenting with different bass lines over
them,it might give the loops a more subtle feel...
i dont always want to glitches and be weird, i also
want to make music...
Luis

--- Ben <benoitruelle@yahoo.fr> wrote:

> Why not use 1/2 speed?
> 
> ----- Original Message ----- 
> From: "Luis Angulo" <labalou2000@yahoo.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, September 14, 2005 1:52 PM
> Subject: Re:Re: EDP LOOP4 question: Accessing
> individual loops directly 
> 
> 
> > Andy i have the same config good to hear that! but
> > that is an brilliant idea,build an ostinato bass
> line
> > while changing harmonies with the different
> loops,now
> > i want to find a little (non synth) effect that
> will
> > turn my guitar into a bass,what do u use?
> > 
> > 
> > --- a k butler <akbutler@tiscali.co.uk> wrote:
> > 
> >> 
> >> >Andy is interesting that you program the most
> >> >important functions in the top row,you must do a
> >> lot
> >> >with more loops triggering,no? but where is your
> >> >record button?
> >> 
> >> Well, that's a special bank just for going
> between
> >> loops very rapidly.
> >> In that case I have the edp set up so I can (for
> >> instance) play a 5
> >> note bass line while pressing the buttons along
> the
> >> bottom row,
> >> and end up with each bass note assigned to a
> >> different switch.
> >> 
> >> mostly I use:-
> >> top row
> >> 6- Insert
> >> 7- Reverse
> >> 8- HSp
> >> 9- Subst
> >> 10 -Mute
> >> bottom row
> >> 1- rec
> >> 2- overdub
> >> 3- mult
> >> 4 - Undo
> >> 5- Nextloop
> >> 
> >> 
> > 
> > 
> > www.luis-angulo.com
> > 
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www.luis-angulo.com

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