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Re: Looper flutist?
Weisberg made albums under his own name, but the Fogelberg (two Bergs?)
collaboration seems to have endured the most.
Kim Flint, talking about EDP Delay Mode, says:
>(...)We
>set it this way at the request of a jazz flute player named *Tim
>Weisberg*.
>He wanted to be able to improvise a solo freely with the delay output
>muted
>and feedback at 0, so the delay always held some amount of his solo
>trailing behind him. Then when he happened to play something he thought
>might be interesting to play a counterpart to, he could just unmute it
>and
>have the previous phrase repeat while he played along. (...)
>
(http://loopers-delight.com/LDarchive/200109/msg01134.html)
Sounds like Weisberg made it to the EDP age--wonder what he's up to now...?
David
Stephen Goodman wrote:
> I can confirm this! I saw Tim Weisberg at Wake Forest Univ. in 1976
> on a tour for "Twin Sons of Different Mothers", done with Dan
> Fogelberg. In the show Tim did a number of pieces using some sort of
> tape loop: the first I remember with the spinning and dancing, the
> second sounded so much like Bach it was incredible. Wonderful
> layering, and EXCELLENT timing on Tim's part with the looping.