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Re: Re: Tubes in Pre-amps: your expertise and honest opinion.
There is nothing greater than the power of human belief, as all of the
great religions show.
Nik
________________ Reply Header ________________
Subject: Re: Tubes in Pre-amps: your expertise and honest opinion.
Author: Richard Sales <richard@glasswing.com>
Date: Thu, 4 Jan 2007 15:58:53 +0000
On 4-Jan-07, at 6:41 AM, Krispen Hartung wrote:
> I see tube amps in museums, with model Ts, computers the size of >
>rooms, and two-headed cows.
and photos of all the bone headed people who couldn't hear the difference
between an Ipod/mp3 recording of a train and the one coming at them! :)
Sorry. Just jazzing you! I've tried and owned lots of amps new and old.
There is only ONE that sounds the way I want it to sound. I don't give a
shirt if it's old or new, vintage or Wal Mart. I just care about the
sound. If someone can find me an amp that costs no more than the one I
have that does the job I will most certainly BUY IT!
Now, I could get a Victoria amp - and I hear they're nice. But they cost
a LOT more than my old Panaramic/Magnatone. Why should I buy it?
Same with AER amps. For what I would pay for some of the new amps I have
been told I would like, I could buy TWO of my fave vintage amps - which I
am in the process of doing. Total cost $1,040 USD. Anvil flight cases &
spare NOS tubes are extra.
I was in another studio recently and they had ALL the groovy old amps.
Tried em all. Didn't like 'em for what I WANT. As Ravi Shankar should
have once said when he first heard a shrutti box, "Close, but no sitar!!"
It took me a long time to step away from the digital marketing modern hype
'technology is always improving' machine and hear for myself.
I've tried tons of effects boxes and tube guitar pre's etc. All I can say
is there is a sweet spot - and this is certainly a matter of taste
- that, once you find it, you say "Eureka!" In my case, it's a 1960
PANaramic amp and Phillips parlor resonator guitar. Old Echoplex and
volume pedal. (I might eventually trade my Echoplex for a Fulltone echo.)
I have a nice collection of old guitars. I currently use the newest
guitar I have because it sounds how I want it to sound. This Christmas I
gave my daughter my 1969 Martin D35 that John Fahey said was the best
sounding Martin he'd ever played. Why? Well... I love my daughter,
but also, as killer as it is, It's not the sound I want. I know what I
want and I hear it and I'm satisfied. No more purchases necessary.
Why do so many guys who master the hits and have enough money to buy the
most advanced Prism etc converters and the latest of anything keep using
old technology and so forcefully dis plug ins? Read it in the
new Mix Magazine - interviews with mastering wizards. Now, I USE THE
WAVES Ultramaximizer because I just can't AFFORD some of that stuff, or
the Dunleavy speakers etc.
I send music to THEM when it really counts. I KNOW you can get sort of
close with the Waves Ultramaximizer, but when your rolling next to the
Corvettes, you wanna make sure your Smart Car is as well tuned as can be.
Now, interestingly, in the SAME issue of MIX where 4 out of 4 mastering
engineers emphatically say they very rarely use plug ins because they
don't like them, in the next article MIX reviews all the latest mastering
plug ins with glowing reports. What's up with that? I think it's called
advertising dollars and knowing what their audience wants
to (and can afford to) hear.
I use an old Mackie D8B that's completely digital - eq's, compressors and
all. It works for me for now. I think a lot of this stuff is financial.
I'm looking at a big upgrade to the studio. To SSL or not to SSL? How
many more hundreds of thousands of dollars should I spend? I have HUGE
DREAD of hype because I've dumped so much money into HYPE holes. Both
vintage and the latest technology.
It takes a very clear and open mind to sort through all the marketing and
dig your way out of the hype holes - and it comes from all directions -
vintage, transistor, software etc.
The advantage of vintage stuff is it increases in value - at least for
now. But my old Jupiter 8 is finally worth what I paid for it. I
wouldn't sell it for twice that. I like the sound. So today's Roland
could be tomorrows Telefunken! It's all about ears and there are no easy
conclusions, with or without them.
Oh! Not completely true! If you don't notice the hype holes, just keep
walking and you'll fall right on in - no effort or listening required.
Vintage or Not.
If plug ins work for you, and they sometimes do for me, then Hari Bol!
But I think our goal on this list or any information watering hole is to
inspire inquiry at the root level - the ears in this case. To find the
technology that does what our ears are longing to hear. And the more you
use them, the more finely tuned they get.
There are no easy across the board answers.
Wise the man who doesn't defend himself when not being attacked
R
>
> K-
> ----- Original Message ----- From: "Fluke" <fluke@gotadsl.co.uk>
> To: <donh@mindspring.com>;
> <"Loopers-Delight@loopers-delight.com"@arsenic.violacea.com>
> Sent: Thursday, January 04, 2007 2:57 AM
> Subject: Re: Tubes in Pre-amps: your expertise and honest opinion. >
>
>> Speaking as a designer of SS audio circuits with > 15 years experiance
>>> behind me, we can satisfy the tube purists (both audiophile and guitar
>>> player) without too much trouble...
>> ...but only until the blindfolds come off.
>>
>> Nik
>>
>> --------- Original Message --------
>> From: donh@mindspring.com
>> To: Loopers-Delight@loopers-delight.com
>> <Loopers-Delight@loopers-delight.com>
>> Subject: Re: Tubes in Pre-amps: your expertise and honest opinion.
>> Date: 02/01/07 19:37
>>
>>>
>>> Or at least perhaps until the blindfold comes off...
>>>
>>> > Then the mysterious are resolved, and we
>>> >can let the DSP/SS engineers of the future continue developing a
>>>> SS
>> amp that
>>> >will eventually satisfy the tube purist via a blind test.
>>> >
>>>
>>>
>>
>> ________________________________________________
>> Message sent using UebiMiau 2.7.2
>>
>
On 4-Jan-07, at 6:41 AM, Krispen Hartung wrote:
<excerpt> I see tube amps in museums, with model Ts, computers the
size of rooms, and two-headed cows.
</excerpt>
and photos of all the bone headed people who couldn't hear the
difference between an Ipod/mp3 recording of a train and the one coming
at them! :)
Sorry. Just jazzing you! I've tried and owned lots of amps new and
old. There is only ONE that sounds the way I want it to sound. I
don't give a shirt if it's old or new, vintage or Wal Mart. I just
care about the sound. If someone can find me an amp that
<italic>costs no more</italic> than the one I have that does the job I
will most certainly BUY IT! Now, I could get a Victoria amp - and I
hear they're nice. But they cost a LOT more than my old
Panaramic/Magnatone. Why should I buy it? Same with AER amps. For
what I would pay for some of the new amps I have been told I would
like, I could buy TWO of my fave vintage amps - which I am in the
process of doing. Total cost $1,040 USD. Anvil flight cases & spare
NOS tubes are extra.
I was in another studio recently and they had ALL the groovy old amps.
Tried em all. Didn't like 'em for what I WANT. As Ravi Shankar
should have once said when he first heard a shrutti box, "Close, but
no sitar!!"
It took me a long time to step away from the digital marketing modern hype
'technology is <italic>always</italic> improving' machine and
hear for myself. I've tried tons of effects boxes and tube guitar
pre's etc. All I can say is there is a sweet spot - and this is certainly
a matter of taste - that, once you find it, you say
"Eureka!" In my case, it's a 1960 PANaramic amp and Phillips parlor
resonator guitar. Old Echoplex and volume pedal. (I might eventually
trade my Echoplex for a Fulltone echo.)
I have a nice collection of old guitars. I currently use the newest
guitar I have because it sounds how I want it to sound. This
Christmas I gave my daughter my 1969 Martin D35 that John Fahey said
was the best sounding Martin he'd ever played. Why? Well... I love
my daughter, but also, as killer as it is, It's not the sound I want.
I know what I want and I hear it and I'm satisfied. No more purchases
necessary.
Why do so many guys who master the hits and have enough money to buy
the most advanced Prism etc converters and the latest of anything keep
using old technology and so forcefully dis plug ins? Read it in the
new Mix Magazine - interviews with mastering wizards. Now, I USE THE
WAVES Ultramaximizer because I just can't AFFORD some of that stuff,
or the Dunleavy speakers etc.
I send music to THEM when it really counts. I KNOW you can get sort
of close with the Waves Ultramaximizer, but when your rolling next to
the Corvettes, you wanna make sure your Smart Car is as well tuned as
can be.
Now, interestingly, in the SAME issue of MIX where 4 out of 4
mastering engineers emphatically say they very rarely use plug ins because
they don't like them, in the next article MIX reviews all the latest
mastering plug ins with glowing reports. What's up with that?
I think it's called advertising dollars and knowing what their
audience wants to (and can afford to) hear.
I use an old Mackie D8B that's completely digital - eq's, compressors
and all. It works for me for now. I think a lot of this stuff is
financial. I'm looking at a big upgrade to the studio. To SSL or not
to SSL? How many more hundreds of thousands of dollars should I
spend? I have HUGE DREAD of hype because I've dumped so much money
into HYPE holes. Both vintage and the latest technology.
It takes a very clear and open mind to sort through all the marketing
and dig your way out of the hype holes - and it comes from all
directions - vintage, transistor, software etc.
The advantage of vintage stuff is it increases in value - at least for
now. But my old Jupiter 8 is finally worth what I paid for it. I
wouldn't sell it for twice that. I like the sound. So today's Roland
could be tomorrows Telefunken! It's all about ears and there are no
easy conclusions, with or without them.
Oh! Not completely true! If you don't notice the hype holes, just
keep walking and you'll fall right on in - no effort or listening
required. Vintage or Not.
If plug ins work for you, and they sometimes do for me, then Hari Bol! But
I think our goal on this list or any information watering hole is
to inspire inquiry at the root level - the ears in this case. To find the
technology that does what our ears are longing to hear. And the
more you use them, the more finely tuned they get.
There are no easy across the board answers.
Wise the man who doesn't defend himself when not being attacked
R
<excerpt>
K-
----- Original Message ----- From: "Fluke" <<fluke@gotadsl.co.uk>
To: <<donh@mindspring.com>;
<<"Loopers-Delight@loopers-delight.com"@arsenic.violacea.com>
Sent: Thursday, January 04, 2007 2:57 AM
Subject: Re: Tubes in Pre-amps: your expertise and honest opinion.
<excerpt>Speaking as a designer of SS audio circuits with > 15 years
experiance
behind me, we can satisfy the tube purists (both audiophile and guitar
player) without too much trouble...
...but only until the blindfolds come off.
Nik
--------- Original Message --------
From: donh@mindspring.com
To: Loopers-Delight@loopers-delight.com
<<Loopers-Delight@loopers-delight.com>
Subject: Re: Tubes in Pre-amps: your expertise and honest opinion.
Date: 02/01/07 19:37
<excerpt>
Or at least perhaps until the blindfold comes off...
> Then the mysterious are resolved, and we
>can let the DSP/SS engineers of the future continue developing a SS
</excerpt>amp that
<excerpt>>will eventually satisfy the tube purist via a blind test.
>
</excerpt>
________________________________________________
Message sent using UebiMiau 2.7.2
</excerpt>
</excerpt>