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AW: Live Looping Interface
> In that case Rainer, i think i'm going with the Firebox you originally
talked about. Do you prefere this instead of the FW410 from
> M-Audio?
I'm not qualified to say that; I never used the FW410. I have a lot of
experience with the Firebox and can say a lot of positive things, and a few
let-downs, two of which are:
* must sync to external S/PDIF when using one
* no SPS supplied (e.g. you need a different power supply when
going
to a country with different voltage)
I was, however, surprised, that the Firebox earns really good props even on
those super-spiffy forums like recording.org and gearslutz.com.
One thing I don't like about the FW410 is that it doesn't have analogue
level control for the main outs (which may or may not disturb you - when at
a live venue, I usually prefer going into the amplifier directly instead of
running through a mixer first. Some of those power amps don't have level
control. When controlling levels with a digital control, you loose
converter
resolution etc. etc.). Another thing is it doesn't have balanced outputs
(don't like that for mostly the same reason). Both of these were the reason
I didn't look at the FW410 in the first place.
Feature-wise, let me try to do a comparison (in case of the FW410, just
coming from the specs):
FW410 Firebox
Mic/Inst In 2 2
Line in 2 2
Line Out 8 6
bal. in X
bal. out X
192kHz out X
SPDIF coax X X
SPDIF opt X
headph out 2 1
max. gain 66 72
MIDI I/O 1 1
You be the judge of that - for your typical live application, there's most
probably nothing that rules out one of those (safe perhaps for the balanced
outputs).
Summarizingly, I can say I can recommend the Firebox for what it's for: as
a
small audio interface for live or mobile project studio applications, with
some professional features.
Hope that helps,
Rainer