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Looping philosophy
I found a very old thread in the archives and someone posted who was
exploring music perceptions and was possibly doing a PHD asking the
question "Why do we loop"
His masters thesis was entitled "A Connection Between
Schenkerian Analysis and Godel's Theorem: The Urlinie as Formally
Undecidable." I am fascinated by musical perception, and this notion of
'why we Loop" is no less intriguing.
Ive had a look around and cant find the thesis and the email address is
outdated
anyone know where I might find a copy of the thesis (I'm hoping
perhaps the author is still a list member)
Any other research anyone knows about along these lines would be most
helpfull?
Byron