Re: A great example of how far music technology has come

[Chris Sewell <lunamusic@mac.com>]

You had to have authorized Trilogy on a G4. Their records will  
conform that. So now if you have an Intel, you will get it for free.  
You need to create a new account, and click on the upgrade button,  
then put in your Trilogy serial.
Chris

On Oct 29, 2009, at 2:27 PM, James Richmond wrote:

> Hi Chris,
>
> I emailed Spectra about that.
> I am Intel Mac as well- but I can't see how to get the free upgrade.
> Any ideas?
>
> Jim
>
> On 29 Oct 2009, at 18:25, Chris Sewell wrote:
>
>> I had a 99. I hated it. It made me sound like a Roland demo at a  
>> Namm show. If you know what I mean. :)
>> Besides, the AxonAX50 tracks really well.
>> I actually got Trilian for free as I was a Trilogy user that  
>> switched to an intel mac.
>>
>> Chris
>>
>>
>> On Oct 29, 2009, at 1:29 PM, Per Boysen wrote:
>>
>>> A good trick with MIDI guitar is to send each string's MIDI on a
>>> separate MIDI channel. Then set the synth to six monophonic voices
>>> with pitch bend set to 12 semi tones. If your gear can work that  
>>> way,
>>> check if Trilian supports such a setup. If it does, there's a fair
>>> chance it works ok with MIDI guitar.
>>>
>>> (I have not used Trilian in particular, but played a lot of MIDI
>>> guitar - enough to hate it)
>>>
>>> Trilian is quite pricey, so why don't you save up for a VG-99  
>>> instead?
>>> There you have no tracking, resulting in better timing and more
>>> expressive playability since it is working the real sound of the  
>>> audio
>>> input.
>>>
>>> Greetings from Sweden
>>>
>>> Per Boysen
>>> www.boysen.se
>>> www.perboysen.com
>>>
>>>
>>>
>>> On Thu, Oct 29, 2009 at 6:03 PM, Jeff Larson  
>>> <jeff.larson@sailpoint.com> wrote:
>>>> Has anyone used Trilogy or Trilian with a guitar-to-MIDI converter?
>>>> It seems to be designed mostly for keyboard players to simulate the
>>>> various articulations you have with stringed instruments.  For  
>>>> controllers
>>>> that can actually do slides, hammer-ons, etc. does it still feel
>>>> relatively natural to the player?
>>>>
>>>> I have guitar synths so I know they always feel a bit funny,
>>>> I'm just curious if the keyboard controller bias gets in the way.
>>>>
>>>> I would think hammer-ons & pull-offs would work well provided the
>>>> MIDI converter handles legato correctly.  Using "shift keys" to
>>>> get to glides and X-notes wouldn't work so well with a guitar  
>>>> controller
>>>> but I guess you could access those with a footswitch.
>>>>
>>>> Jeff
>>>>
>>>> -----Original Message-----
>>>> From: Chris Sewell [mailto:lunamusic@mac.com]
>>>> Sent: Wednesday, October 28, 2009 8:21 PM
>>>> To: Loopers-Delight@loopers-delight.com
>>>> Subject: A great example of how far music technology has come
>>>>
>>>> http://www.spectrasonics.net/instruments/trilian_videos.php
>>>>
>>>>
>>>>
>>>
>>
>