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Re: Fripp news
I must admit out its a shame losing Robert Fripp to the looping community.
But honestly, I thought of all Led Zeppelin's members, Jimmy Page would
be most apt to experiment with looping. Not Robert Fripp!?!"
Chaz Worm - Electric Light Opry
Former lead singer, bass and banjo for punkgrass supergroup Earth, Worm,
&, Fire
On Sep 7, 2012, at 10:32 AM, Philip Conway <Philip.Conway@bristol.ac.uk>
wrote:
> Ah, the perils of (mis)communication! No worries.
>
>
> --On 07 September 2012 09:45 -0400 Douglas Baldwin
> <coyotelk@optonline.net> wrote:
>
>> Well said, Philip - My apologies for incorrectly implying that you
>> implied that... & etc.
>> I love the term "rentierism."
>>
>> ----- Original Message ----- From: "Philip Conway"
>> <Philip.Conway@bristol.ac.uk>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Friday, September 07, 2012 9:26 AM
>> Subject: Re: Fripp news
>>
>>
>>> Sorry, I didn't mean to imply that *Fripp's* 'retirement' was a purely
>>> materialistic decision but that this is the nature of the music
>>> industry
>>> as a whole -- obsessed with legality and ownership and neglectful of
>>> creativity.
>>>
>>> The 'posh offices', etc. was referring to the turn that the whole
>>> industry has taken towards rentierism. I didn't mean to imply that
>>> Fripp has any of these things. To me he just seems to be defending
>>> his
>>> artistic and commercial legacy against this kind of predation.
>>>
>>>
>>> Philip.
>>>
>>> --On 07 September 2012 08:43 -0400 Douglas Baldwin
>>> <coyotelk@optonline.net> wrote:
>>>
>>>> Knowing the Frippster just a teensy tiny bit (via Guitar Craft and a
>>>> few
>>>> other brief exchanges), I feel compelled to comment on the many
>>>> comments
>>>> given about his "retirement." First, note Robert's online diary:
>>>> http://www.dgmlive.com/diaries.htm . Robert is a great writer, but he
>>>> often uses his own code to express himself. Regular reading of his
>>>> diary
>>>> reveals this code rather clearly, and gives excellent insight to his
>>>> day-to-day life: his struggles with the music business, pictures of
>>>> his
>>>> office and fellow workers, his lovely wife Toyah, and perhaps most
>>>> relevantly, his thoughts about retirement.
>>>> Philip wrote (and several other posters said or implied):
>>>>
>>>>> "I understood that as he is becoming his own management to keep
>>>>> following up legal rights to his music of the past. Reminds me of
>>>>> the
>>>>> tendency among record labels to stop seeking out new great music in
>>>>> favor of focusing on dealing with the legal rights to their back
>>>>> catalogue."
>>>>>
>>>>> Economists call this rent, or rentierism. The extraction of value
>>>>> not
>>>>> by producing anything new but by squeezing what has already been
>>>>> produced. Actually creating new stuff entails risks and overheads;
>>>>> extracting rents just requires a small army of lawyers and some posh
>>>>> offices. That's 21st Century capitalism for you - all gain, no
>>>>> risk!
>>>>
>>>> Philip's comment implies a stinky heartless materialism. Robert
>>>> doesn't
>>>> seem to be very interested in making money through his back catalog
>>>> per
>>>> se. What he wants is proper control of the Crimson/Fripp catalog so it
>>>> doesn't get abused by the fat grubs of 21st century music biz. He
>>>> would
>>>> also like to distribute income properly to his fellow musicians, many
>>>> of
>>>> whom do not have the background in real estate that he does, and so do
>>>> not have much in the way of a cushioning income to soften the blows of
>>>> the business. Robert certainly has no posh offices nor army of lawers;
>>>> the DGM offices are on a rural side street adjacent to the village
>>>> butcher, and Bobby often bunks down on the floor in a sleeping bag
>>>> when
>>>> work demands it. The staff consists of two or three people.
>>>>
>>>> Almost everyone who commented on the DPRP article was blindsided by
>>>> DPRP's stupidly misleading and sensationalistic headline: "Robert
>>>> Fripp
>>>> Quit Music." That's poor English, for starters. What Robert has given
>>>> up
>>>> on is his role as a front-line, headlining, touring-in-poor-conditions
>>>> performer and recorder of music that demands tour support. Robert is
>>>> so
>>>> plugged into music that it drips in puddles around his feet. Music
>>>> flits
>>>> around his rounded head like moths 'round a light. Almost every day he
>>>> does things with his fingers, heart, and ears (and what's between
>>>> them)
>>>> than most of us could wish for. He's just sick of the crappy business
>>>> surrounding the public performance and distribution of music.
>>>
>>>
>>>
>>>
>>
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