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>Here's a technique I use with the JamMan to get a more flexible, >improvisational feel from it. When I first got it, I tended to use it to >start a loop, then punch in more layers. But what I found was that >things just got bigger and louder and bigger and louder. It had a very >one-way dynamic. Now, rather than using the looping functions, I usually >prefer to just use its delay function. There are 16 delay feedback >levels, controlled by the knob on the front. Turn the feedback up high >and start looping. At 16, you effectively have infinite repeat. As >things build, you can turn the feedback down and let a loop fade, then >turn it back up and add more to the loop while the older material floats >in the background. This makes for a much more dynamic and rewarding >looping improv, I think. Dave, that's a great idea. I just tried it and it works wonderfully....although now I must rush back to work.... Using your idea, loopers will be able to create continuous loops that can change textures and tonal centers over time. Very cool! Matt