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> He makes these loops the old-fashioned way, on 1/4" tape, often 20 or 30 > feet long using mic stands to turn the corner, go down the hall into the > studio, turn around, and come back. This technique has already been used in the early sixties by Terry Riley (before he came up with the 2-machine, tape delay-feedback system which was the forefather of Frippertronics). Terry Riley: > I was working with Anna Halprins Dance Company. I was working with tape > loops, sort of primitive technology. This was in the late 50's early >60's. > I was using tape loops for dancers and dance production. I had very >funky > primitive equipment, in fact technology wasn't very good no matter how >much > money you had. Everything was mono. Using these machines I would take > tapes and run them into my yard and around a wine bottle back into my >room > and I would get a really long loop and then I would cut the tape into all > different sizes and I would just run them out into the yard and I would > record onto one machine just sound on sound. -Michael