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> Teed Rockwell writes: > >Paolo, > > > >I've tried both of your solutions. The built in line out from my amp >sounds > >better than no amp at all, but not as good as the sound of the amp >itself. I > >record by miking my big amp, and wish I had a small amp that had the >same great > >tone. Any suggestions? > > > Have any folks on this list tried Holdsworth's Harness? I didn't get Teed's post, so here goes... Teed, did you try running parallel signals? That is, one signal going to the amp and remaining totally dry and the other going to effects, then mixing the dry and wet together at your mixer? Other ideas: 1. Use some kind of speaker out-to-line level converter. The Harness was designed for this and there may be other, similar devices that can do this. In any case, the idea is to use the _speaker_ out, _not_ the line out. An important ingredient of the tube amp sound is the way the power section interacts with the speaker(s). Perhaps someone else can better explain this... but for proper impedance matching, the device fools the amp into thinking it is sending a signal to the speaker so you get the full sound of the power section (which you _dont_ get using the line out). Here of course your little tube amp/head, preamp tubes and power tubes and all, becomes a preamp for driving the rest of your signal chain. 2. Use some kind of signal splitter at the output of the converter to produce at least two signals. Designate one to be your dry signal and send it straight through your mixer with no effects. Use your other signal(s) for the effects. This way, you get your full tone _and_ the wet sounds while still having the option of going to either extreme. 3. Another important component of the tube amp sound is the speaker cabinet. Yes, the best sound is gotten by miking the cabinet, but if portability is an issue, a device like the Red Box or some other speaker simulator in lieu of the massive 4x12 cabinet might warrant consideration. Note that the Harness does not have speaker simulation but many guitar effects boxes do. 4. Alternatively, use the signal splitter at the beginning of the signal chain. Send one signal to the little tube amp/amp head and the others to the signal processors (you may need preamps, if you use passive pickups, to preamplify your signals before they reach the processors, unless the processors themselves have built-in preamps). At the output of the little tube amp/amp head, use a Red Box, a direct box that you plug into the amp's speaker out that has built-in speaker simulation. Hope this helps, Paolo Valladolid ----------------------------------------------------------------- |Moderator of Digital Guitar Digest, an Internet mailing list |\ |for Music Technology and Stringed Instruments | \ ----------------------------------------------------------------- | \ finger pvallado@waynesworld.ucsd.edu for more info \ | \ http://waynesworld.ucsd.edu/DigitalGuitar/home.html \| -----------------------------------------------------------------