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In a message dated 96-10-17 23:18:45 EDT, you write: > Can we begin talking about how we compose, how we might use these ideas >in > performance, what musical surprises have occurred, what mistakes became > part of the texture ... > > Paul Good idea, why didn't you, then ;-) I hav eno musical trainning (typo intended!!), so when I'm stuck for creativity, I use a "device" or "concept" to get some sound rolling. For example: 1) using only "White" notes 2) spelling musical words with a seven letter alphabet (ABACAB...DUG) 3) creating only acending or descending melody lines 4) not using a particular fret-range. i.e. 3-12 The biggest advantage to the approach I've found is that I worry about "fulfilling the concept" and don't get hung-up on "is what I'm playing any good" just long enough that something can be born. Too much attention to can get in the way. Anyone got a simple "device" to offer? In fact, it could be fun to hear the output from 10 loopists all using the same concept. But then that's no different than listening to 10 different love songs I suppose. David Kirkdorffer