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********Andre's questions are all excellent********* I've had the same reaction (the guitar that plays itself) and laughter...but I actually ENJOY setting the guitar down on it's stand and then walking OUT OF THE ROOM with the piece still going. All this can do is make people THINK. (one hopes). and indeed the comment about Fripp entering one or two notes into his loop and then just turning knobs is totally true, i've seen him do this several times. i personally don't mind, as long as the loop is interesting. some loops require a lot of input, but sometimes it's just as appropriate to make an 8 or ten second loop, with one or two quick overdubs...and then listen to it for twenty minutes. or change the "room" it's in... from now on, my plan for performance is to be as much as possible totally on the fly. i will in no way worry that "visually" i might be viewed as just turning knobs or "fiddling", but will concern myself with what's appropriate for the loop at hand. i'm also considering no rehearsing whatsoever, as a test to the nature of total improvisation. the most structure i might input would be a few sound samples from CDs to provide sonic variance from the ebow and synth. that would be about it. IMO, i find it interesting to SEE music created in a very non-traditional fashion. and in the end, SOUND is what music is about. i never worry about what the neighbours think. perhaps if enough of us play these "magic" guitars people will get used to the visual aspect. dave at 17 173451681734516817345168173451681734516817345168 * * * * * * You can't teach ducks to dance... * * * * (Mr. Blint, Consequences/Godley & Creme) * * * * visit: http:www.adnc.com/web/ambient/index.html seventeen: the ambient music page 173451681734516817345168173451681734516817345168