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At 09:31 10/02/97 -0500, Hogan, Greg wrote: >The Resonant Chord algorithm create something similar, right Greg? > >To which I reply: The Resonant Chord algorithm in the PCM80 does >foldback >delay voices through filters in the manner that fish has described. The big limitation of my S2000 setup is that you're relying on an LFO to sweep the filter. Having control over the cutoff gives you far more creative possibilities. I've emulated the effect on a SY85 synth which has an effect called DFLTWAH (Yamaha don't provide any explanations for their acronymns). It's simply: delay->2 parallel filters->fedback to delay You get to assign one controller to modulate the cutoff frequency of the 2 filters (it can have a negative or positive effect on either filter), each filter has it's own cut-off point and resonance. So you setup the loop with max feedback and keep the controller moving to shift the filters. If you leave your foot controller still for too long the feedback gets louder (boosted by the Q). The swirly distortion textures you get at this point are kind of cool. Also, if you set the filters some distance apart and set the controller to have a positive effect on one, and negative on the other, you can play with 2 sets of harmonics and get some interesting effects as they crossover one another. This one needs a lot of fine tuning, but it's worth experimenting with. The SY85 doesn't have an analogue input so I'm sorry for you guitarists, but I'm only telling you in case you guys want to find a way to recreate it. Cheers Fish Fish fish@ndirect.co.uk http://www.ndirect.co.uk/~fish