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Dave Stagner wrote... >My first suggestion for acoustic looping is, GET GOOD PICKUPS!!! Your >looping tone is going to be no better than its raw tone. Good advice! >I have a Fishman Blender system that uses a piezo bridge pickup in >combination with an internal condenser microphone. It's very good at >sounding similar to an acoustic guitar. Piezo pickups alone are terrible, >i think. They're missing "air". That said... I have the same setup in a Taylor 812c. I've been "relatively" happy with the setup, but after having it for a couple of years, I've been able to A/B it with many external mics as well as soundhole pickup combos. The soundhole pickups physically occupy a spot I'd rather have empty. The pickups also sound sort of electric and don't pickup enough 'wood'. I'm beginning to feel that I might do well to place a McIntyre in various locations inside the body (starting under the treble side of the bridge plate) and see if it would be a suitable or better source than the Crown mini condenser mic. The mic does add 'air' and I really dislike the piezo alone, even if it's eq'ed well. I'd probably check out the new B-Band undersaddle pickup with a McIntyre and see how the combo works. I've also heard great results from the Trance Audio 'Acoustic Lens' soundboard pickups although I've played a couple guitars with those installed which really felt pretty dead and weighty. (Maybe not enough high end sparkle). I played Jeff Traugott's home guitar with Trance in it though and it kicked my Taylor right out of the room! -Miko