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>It's more the perception of looping by others. I regularly see it being >depicted as something for guitar players, whether it's by salesmen or >media >or other musicians. *That's* what mysifies me! Is this just because lots >of >guitar players do it? Or because it's been guitar oriented people involved >in manufacturing them and therefore that's where they place it? > >To me, using real-time loops for percussion or cello or radio >transmissions >or whatever seems just as valid. Why don't other people see it that way? >What do we do to change that perception? Perhaps its because its more obvious when a guitarist loops. People are used to synthesizers being able to create a wide variety of sounds, and some knowledge of sequencing has filtered down to most audiences. If a keyboard player takes his hands off his instrument, and music continues to emanate, everyone says "Oh, a computer or something..." People sit up and take notice a bit more if you're holding an electric guitar and it doesn't sound like Jimmy Page. On the other hand, if you're looping guitarist, you can spend a lot of time fielding questions like "So, you're playing guitar synth right? Or is that a backing tape?" Travis Hartnett