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Future o' Looping. I think that it's kinda hard to discuss this solely as MUSIC-particulary because, as noted before in e-mails here, everyone has a slightly different idea of what music actually consists of. Perhaps it's easier to deal with the question as looking at potential different applications of technology. For ME this will probably break down into two (discrete?) areas. 1. LIve looping as one tool amongst many in freely improvised music situations-both solo and in group situations. Possible loop areas/textures (not necessarily "written") as springboards of improvs or half-written/half-improv pieces. 2. Looping that is somehow woven into "song" structures or other more formally constructed pieces of music. Also including possible editing/cutting&pasting, via computer software, of loops as basic building blocks/sections of pieces. Almost like musique concrete, I suppose. (Grey Area: I do some looping in the chorus sections of a friend's song . . . but there are a lot of free-improv tendencies in this band to begin with.) Optimally, it seems that the looping in these situations would be in service to the music "at hand"-in other words "constructing" the loops to fit either the "song" or the flow of the improvisation. So much for my attempt at this question . . .