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Jamie Lack [mailto:jlack@auran.com] suggested: > Why not record the audience noises and play them back, > integrating them into the performance? On the Eno/Manzanera "801 Live" album, the "Baby's On Fire" cut segues with the audience's applause being fed through a flange process before turning into a drone tone, from which "Diamond Head" is launched. I always wanted to do that with a performance, to say nothing of wiring up condenser mics round the club to pick up conversation and such (with of course the obligatory notices to the audience, and a person to mix the mics well enough to keep people wondering). Stephen Goodman - It's... The Loop Of The Week! EarthLight Studios - http://www.earthlight.net/Studios Stephen Goodman - It's... The Loop Of The Week! EarthLight Studios - http://www.earthlight.net/Studios