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What are the musical rules to avant garde music? I'm afraid I just don't know what this is... At 10:41 AM 1/18/99 EST, you wrote: > > ><< > "The trouble with avant garde music is that it has lost its original > > meaning and > > now has as many rules and clichés as country or rock & roll. If in 50 > > years > > time they will look back at the early 1980s, or whenever, and say that > > was the > > new avant garde era, that event must be avoided if we are to remain > > true" > >< I don't get this statement... what was the original meaning? There is >great > music being done right now that is devoid of any cliches or rules... if >you > dont wanna call it avant-garde, then call it something else. I'm sure >the > musicians won't care what you call it!> > >Avant Garde? I'd have to say that the 'free improvised' music I have >seen >recently has been somewhat predictable in terms of the structure of >the pieces, the way in which the players interact, and much of the >content of the individual players. Although I've seen a couple of soloists >to whom this doesn't apply. > >Seems to me it's possible to be 'avant garde' without being an innovator. > >Is it possible to have music without rules? Perhaps the interest lies in >the way the rules mutate. > >How many times does a loop go round before it gets to be >a cliche. > >Andy Butler > > > > > >