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>oh, yes, a highly developped instrument. I just had a session with a good >player. >The only problem for me was the very defined pitch of the high drum. Most >drums are pitched in some way, but you can still play any tonality - not >so >with tabla, right? Most drums have a pitch but usually there are enough overtones to smooth over obvious harmonic clashes. The defined tonality of the daya ( the high drum) can be a problem in certain situations. I usually perform with 3 high drums tuned to E, G, and B (for the "ta" stroke which is the clear brite tone). Dayas also have another pitch produced by the "tun" stroke (deeper & rounder sounding) which is usually a minor 7th below the "ta" ( e.g. ta = C4, tun = D3) . The accuracy of this varies from drum to drum. So, with my setup I can play with E, D, G, A, B, & C#, which is still limiting but gives the other players & myself some melodic/harmonic freedom. I usually let everyone know what my pitches are just to be safe. It works well with guitar & bass players since the pitches are the same as the open strings (except for the C#) and everyone loves E minor! I also try to tune my frame drums to complementary pitches as well. peace, jmw