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>We also have people looping wind instruments (flute, sax, etc.), >turntables, >broadcast sounds from radio and TV, film dialog, found sounds, even >looping >the looping devices themselves in the case of David Myers. > >kim Kim, I think you're just trying to sniff out whether I'm still lurking here or not. I am. >I don't know how Mr. Myers does it, but I just run the output of looper A >into looper B and back again - if you do it enough times you'll get a >very >strange resonance since each device colors the sound in its own way. I >imagine if you kept doing it for a year or so you'd end up with noise (and >probably a messiah complex). >jmw Good observation. Now, what if looper A can feed looper B and itself, and looper B can feed looper A and itself, and what if you have four loopers or more? And if you can manage control of all of those paths? Hmm... that's what been fueling my particular psychosis all these years. Get into it enough, and you begin to wonder about the need for guitars, keyboards, and all the endless discussion about graphite necks. Maybe I've looked too hard and am suffering from mental strain (a distinct possibility), but I've found that as I increase the microscope's focus, the specks of dust on the floor--through the miracle of the loop--take on an unexpected significance. Loop de Loop indeed! Strange Resonance... have to consider that as an album title (not to mention Messiah Complex).... David Myers BTW, anyone here been tuned into Ryoji Ikeda?