Support |
In defense of Michael Brook (I doubt he really needs it), he tours about once a decade. Clearly, his talents are more suited for the studio, judging by the quality of his solo and collaborative recordings. I wasn't entirely disappointed in the San Francisco performance but he did prepare the audience for what he anticipated as performance shortcomings and there was, indeed, shortcomings in the presentation. I agree with Travis' comment. To paraphrase the mighty Frank Zappa: "Shut up and play guitar!" I'm curious. Is there anyone on this list that saw the Brook/Gasparyan show at the Womad Festival in Seattle? That was the show prior to the SF show and Brook claimed it the be a great show. ----- Original Message ----- From: Dave Stagner <dave@spnz.org> To: <Loopers-Delight@annihilist.com> Sent: Tuesday, August 10, 1999 4:59 PM Subject: Re: More Brook/Gasparyan. > > > Travis Hartnett wrote: > > > > This is one of my pet peeves--onstage apologies for poor preparedness/lack > > of confidence/new material/being drunk/etc. As far as I'm concerned, you're > > announcing that you're about to suck. If you're sucking, the audience will > > recognize it all by itself. Many times, they won't, and perhaps you're not > > sucking. I'd advocate taking all the credit for happy mistakes and ignoring > > most unhappy mistakes. Anything short of an amplifier bursting into flames > > or howling mic feedback should pass without comment from the performer. > > Which reminds me of a loopy performance... some years ago, i saw Steve > Tibbetts perform in Cedar Rapids. Although the performance was > outstanding (indeed, astonishing), the sound was marred by a serious hum > problem with his electric guitar rig. They worked around it by > concentrating on acoustic material, but he obviously wanted to let it > rip. After one bout with chasing hum between songs, he said "There's a > ghost in the machine". About a minute into the next song, one of the > speaker towers (about the size of a coffin) leaned forward and fell, > achingly slowly, to the floor three feet below, landing with the > tremendous *THUD* of something very broad and heavy landing square on > the floor at speed. > > Tibbetts and Anderson didn't say a word. They didn't even break > stride. They finished the song, then got some help picking the speaker > up, and finished the set. > > THAT is professionalism. > > -dave >