Support |
This whole thread seems to have a general tone of not liking the recordings as much as the live "event". The nature of both Zorn and Bungle is one of interaction and execution... In Derek Bailey's book "Improvisation..." he discusses the live performance and how trying to document it in any way removes it from it's proper contextual environment. You're really not getting all the elements that were present affecting the performers and their choices. Seeing them making those choices and creating their music AND actually experiencing that CAN'T be captured. Now we all know how great it is to get a recording of someone we love and REALLY enjoy listening to it. But frequently I chase down an artist's work and find that, sure... I get a lot of information from the documented playing, but just don't need to listen a whole lot more... even though I will beat a path to their gigs because it's incredibly vital and ground breaking, essential stuff (Fripp is this way for me... can't listen much to the recordings, but love him live). But it's a real time phenomena and the document is just a single snapshot of a larger process. BTW: Bungle has actually done Zorn's COBRA... I don't know who prompted, but I'd love to hear their session of that! Best Regards, Miko Biffle, mbiffle@svg.com "Running scared from all the usual distractions..." >>> Neal Trembath <ntrembat@statsol.com> 11/10 1:05 AM >>> If you ever get a chance to see him doing COBRA, do it! N