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Also when listening to this chord, you you really hear that major third interval between the maj7th and the min 3rd... giving it a very augmented sound... The 5th is also a maj 3rd interval from the 7th so you've got stacked maj 3rds there. Hey! When it's getting this cool sounding why would you want to play the damn root!? Let's head for neptune gang! This is actually a really cool chord for doing oddball aug/dim stunts over... have at it with the symetrical dim (half-whole) scale as well as maj 3rd stacks moved around chromatically and get OUT THERE! Be sure to get those fx crutches working as well! Don't want it all to sound too plain... Gotta get osterized while were confusing people... Don't forget to LOOP it! -Biffoz >>> "Liebig, Steuart A." <LiebigSA@Maritz.com> 11/22 11:35 AM >>> isn't that really just called a minor major 7 chord? also calling it a +9 would make it an augmented 9th . . . which is a minor third. so wouldn't the chord you're trying to spell really be an "A minor major 9"? stig It's an A minor tria with a sharp 7 and ninth on top (A C E G# B). TH > From: David Beardsley <xouoxno@virtulink.com> > Organization: SSI > Reply-To: Loopers-Delight@annihilist.com > Date: Mon, 22 Nov 1999 12:58:02 -0500 > To: Loopers-Delight@annihilist.com > Subject: Re: Effects as a crutch > Resent-From: Loopers-Delight@annihilist.com > Resent-Date: Mon, 22 Nov 1999 13:10:08 -0500 > > > What the hell is an Am#7+9?