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Having just read some of the posts on the above topic, I thought I'd pass on this from "Breakdown," the Michael Brook mail list. My apologies to M. Leduc for appropriating his post without permission, but I wanted to seize the moment. Jim Bailey > -----Original Message----- > From: Christian Leduc [mailto:chleduc@total.net] > Sent: Tuesday, August 08, 2000 5:27 PM > To: breakdown@egroups.com > Subject: Breakdown | Infinite guitar/Sustainiac > > > Hello, I had an interesting little conversation with the guy > form Maniac > Music, Alan Hoover. A great great guy. I've had a couple of > questions about > the new Stealth plus (Sustainer+ pickup). And I asked him if > there was an > historical link between the sustainiac and the infinite > guitar. I thought > it can be of some interest to post a part of his answer: > > "We first made our acoustic type sustainer in 1986 (the > Sustainiac Model T, > soon followed by the Model B). Then, we heard about the > Brook Infinite > Guitar when U2 played in Indianapolis in late 1986, as I > remember. Edge's > guitar tech called us, and allowed us to play a few notes on > the instrument > after the afternoon sound check. I thought that seemed like > a neat way to > make sustain, so we designed our own version of such a sustainer after > looking at the I.G. > > The Infinite Guitar used a regular Duncan stack pickup for a > driver. Since > this is a high impedance device, it requires around 100 volts of drive > signal to produce adequate magnetic drive into the strings. > This seemed > kind of crazy to me, so shortly after that the Sustainiac > GA-1 was born. We > made a low-impedance driver so that the sustainer would run > efficiently on > batteries. The driver could be used as a pickup by attaching > a transformer > or amplifier to its output in order to increase the voltage output. > > The "G" is for Gary Osborne, my partner in Maniac Music. > This was followed > soon after by the GA-2. We subsequently filed and were > granted several > patents on our refinements that allowed the magnetic > sustainer to be used as > a practical, manufacturable device. We never attempted to > patent any of the > basic principles, such as a pickup being used in reverse to drive the > strings, because we always felt that that credit belonged to > Michael Brook. > > Curiously, Michael (whom I met and talked to at length in 1990) never > followed up with his British patent that he filed sometime > around the 1985 > timeframe. Typically, patent offices reject first applications over > technicalities. It is up to the inventor to persist and > argue his/her case. > Michael gave up and didn't argue his case, so he never got a > patent. He > told me in conversation that he was very busy, and also > really didn't know > that you could present an argument and maybe get your patent. > > Then, Floyd Rose et al got a U.S. patent on a magnetic > sustainer driver in > 1990. Curiously, they claim never to have heard of the Brook > device prior > to making their sustainer. I know of no facts to contradict > this. We have > a patent cross-licensing agreement with them." > > Well, I hope I didn't break a top secret thing (for MB and > for M. Hoover), > but it was interesting.