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Another suggestion. The way I work is I 'trap' a sound for as long as I want it to run by having the feedback path set at unity. This is under the control of a footpedal. When I want to let the loop die away I ease back on the pedal according to how slowly I want the loop to die away, (I use this method to quieten the loop if necessary too). What I've found is that introducing a gentle low pass filter into this loop makes the dying loop sound more natural and de-focusses it in terms of the listener's attention. An interesting effect is to place a high pass filter in the feedback path so the sound kind of fizzles out - good for spacey stuff : ) Gareth > suggestion > > put a 1/4 sec fade on the start of your sample and a 1/4 fade out at the > end - no more > nasty clicks when u loop! > > concept7@earthspike.com > > > ----- Original Message ----- > From: dan mcmullen <dog@well.com> > To: <Loopers-Delight@loopers-delight.com> > Sent: Wednesday, January 03, 2001 11:09 PM > Subject: looping tips and tricks 2001 > > > > anyone care to share their latest looping technique discoveries? i'm > > imagining quick little tips or tricks that make your looping easier or > more > > fun. even "obvious" things that may have been mentioned before would >be > > good. to get things rolling: > > > > - when overdubbing, i recently put a volume pedal of some sort in front of > > the looper to avoid the sharp little blips in background noise from > turning > > overdubbing on & off by fading in before & after the overdub. this is > > particularly useful when looping acoustic instruments using a >microphone > > while hearing the current loop on monitors. (this probably falls into the > > obvious category, but when i finally set this up, it made overdubbing much > > more "relaxed".) [general interest] > > > > - i'm using the Peavy PC1600 fader box to control feedback on an EDP using > > MIDI. by making one fader the "master" of the feedback footpedal, i >can > > set the minimum feedback level that the footpedal can generate by lowering > > the master fader. this lets me use the entire range of the footpedal's > > travel to smoothly make a transition from full feedback to the exact > amount > > i'm aiming for. much easier than trying to judge what fraction of the > > footpedal's travel will get me the right amount of feedback. >[edp/peavy > > pc1600] > > > > i may think of more later, but for now, ta-ta-ta-ta-ta-... > > dan > > ___ > > dan mcmullen, ca, usa don't worry - pay attention > > mailto:dog@well.com 707-485-0220 > > pgp fingerprint = 1C70 8D81 6B94 93A9 F2D8 9609 2122 BF70 8619 EDAF > > > > >